Kiss the Dead tour – Atlanta

Kiss the Dead tour – Atlanta

Kiss the Dead is #1 overall hardback on Barnes and Noble bestseller list for week ending June 10!

Kiss the Dead is #1 fiction hardback on Nielson Bookscan bestseller list for week ending June 10!

Kiss the Dead is #1 fiction hardback on the New York Times List for week ending June 24!

I got all the above news before I went on stage in Atlanta. The news about the New York Times came in just before, and I was happy to be able to share that moment with all of you at the event!

I know that there were new questions at Atlanta, but for the life of me, the above good news is what keeps going through my head. Maybe later when the after glow has worn down some I’ll be able to think and do a more comprehensive blog about the Atlanta event, but then again, maybe not. Maybe all of you in Atlanta will be forever tied in my mind with the fresh thrill of being #1!

Thanks to all of you that were there to share the news!

Kiss the Dead tour – San Diego/Carlsbad

Kiss the Dead tour – San Diego/Carlsbad

Thanks to everyone at Mysterious Galaxy that helped with the event, and to everyone who came out see the show. We’re still getting people contacting us saying, “Are you on tour?” “Where are you going to be?” “You were in Carlsbad, and I missed you?” Last night helped me realize a couple of things. First, putting the information about tour up on our web page as a sticky doesn’t seem to be helping everyone find the information. I’m not sure what to do about that, since it’s the first thing you come to on the page. Suggestions for how to make it more easy to see are welcome. Second, maybe putting the info up in twitter and Facebook feeds periodically as the event gets closer may help. We’ll try that for the Atlanta event and see how it works, and if that works, great, if not, we’ll keep working on it.
Jon did remember a question we were asked for the first time in Huntington Beach, because it also came up last night in Carlsbad. The question was, does Jean-Claude truly love Anita, or does he love the power he gains from her? He loves her, maybe as much as he’s able, but I think that perhaps part of the holding back on his part is centuries of pain and loss. I know that just in this lifetime losing people I love made me more cautious about jumping wholeheartedly into relationships. But the question seems to imply that power is somehow bad, and I don’t believe that in this context. Power is what lets Jean-Claude keep his people and all that he cares about safe, without power he would have been dead ages ago, and so would Anita, Richard, and we would never have lived long enough to meet Micah, and Nathaniel would have never lived long enough to mean anything to Anita. If Jean-Claude and Anita weren’t the supernatural power couple that they are, they and the series would be dead ages ago. If you aren’t strong enough to protect those you love, then you can lose them. I don’t just mean the strength to punch someone out, or shoot someone, or any violence. I mean strength of character, strength of conviction, strength of will – to be strong enough to stay the course. I believe without strength love will not survive, but you, as a person, do not have the conviction to do the work for love to be long term. People who are weak of will fail you when love gets hard, and real love, true love, will get hard, trust me on that.
Are you strong enough to love someone? Are you strong enough to protect them, and yourself? Remember that protecting them is keeping that job you hate to put a roof over their head, and food on the table. Protecting your love is doing the housework, when you hate it. Protecting love is about doing what it takes to have a real life with the person, or people you love. Does Jean-Claude love Anita? Yes, by any real definition I’m aware of, very yes.
Remember, it’s not like Anita is twiddling her thumbs on a Saturday night waiting for Jean-Claude to call. She’s as busy with her career as he is with his, maybe busier, and she has Micah and Nathaniel as her other main squeezes.

Kiss the Dead tour – Huntington Beach

I swear I’ve been chilled since we got to Seattle, and Huntington Beach was about the same temperature. *brrrr* I needed to bring a sweater, but it was warmer last time we were here, or maybe I’m just remembering it as warmer. Southern California just sounds like it should be warm, even though living her for a few years let me know that most mornings are chilly and it doesn’t usually get that hot, at least not in Los Angeles. But even though I know better I still had hoped it would be warmer. *sigh* and *laughing* at myself. I so know better.
Thanks to everyuone who came out to participate in the show, and to everyone at the Barnes & Noble in Huntington Beach that helped make it all go so smoothly. I know we got some new questions, but I admit that I’m getting punchy at this point in tour and can’t remember them. The only one I do remember is the request for the title of the book that I read to our daughter, Trinity, when she was about eight to ten about the facts of life. The book is at home and I can’t remember the title. I’ll blog it later after we get home and I hunt the book up.

Time to get some food, before we see you all in about two hours. Looking forward to seeing everybody tonight at the Carlsbad Library.

Kiss the Dead Tour – Seattle

I’m writing this blog about our wonderful event in Seattle while looking out at palm trees and Southern California ocean. Much warmer, sunnier, and just different from the great Pacific Northwest. Both have an ocean, but this is all sand and beach goers, and Seattle is more about the city, and what comes out of the sea, rather than dipping our toes in it. Jon and I love Seattle, but I admit that I’m glad to have sunshine and no rain.
Thanks to everyone that came out last night to the Seattle Town Hall, where University Books sponsored yet another great event for us. Thanks to the whole crew, but especially Duane, and Art, who helped keep us secure, and Michael who risked life and limb to take the pictures. We really thought he was going to back off the stage a time, or two. 🙂 Some of the fans said they’d seen us at least three times, or was that four? I know you guys want the new books as they come out, but I’m amazed that you also want to hear the question and answer session, the show, again and again. I’m glad I can entertain you for two hours at a shot, and keep so many of you coming back.
One question I figured I’d get a lot this tour was when’s the next Merry Gentry novel coming out. Most of you knew it was scheduled for December. Last night I asked, “How many of you follow me on twitter, or FaceBook?” Over half the audience raised their hands. I then asked, “How many of you have noticed that I’m having trouble with this Merry book?” Again, a lot of hands went up. I’ve been listening to a lot of Christmas music which is what I go to when I’m really struggling with a book. Merry has not been happy with this book from the beginning, and neither have I. I wasn’t sure what was wrong at first, but eventually Merry told me, if you stop arguing with your characters and let them talk to you, most of the time they’ll let you know what’s wrong. What’s wrong is that to have a book you have to make your main character’s life unhappy. To make an interesting book you have to have things go wrong, and Merry is truly happy for the first time in her life, or at least since her father died, and she doesn’t want me messing that up. She has her twins, the men she’s in love with, and the men she loves, and it’s all good. I honestly think I should have stopped the series at book seven, Swallowing Darkness, but I was still under contract for more books and I still love the world. I also couldn’t imagine never writing about Merry, Doyle, Frost, Rhys, Galen, . . . heck everybody. But if I had stopped with book seven I could have given her that happy-ever-after-ending, and moved on. But I didn’t, I wrote book eight, Divine Misdemeanors, and even that could have been the end, but I left one huge plot point looming. Queen Andais, Merry’s aunt, has gone completely bug nuts and is basically a serial killer except she’s picking on victims that can’t die. If they could die, she’d be torturing her nobles to death. They are fleeing to Los Angeles and to Merry and her men. Andais won’t tolerate that forever, but more than that Merry can’t leave her people to the ministrations of Andais. If I had not added that last bit of insanity to the queen we could have walked away, but I wrote it and now we’re stuck. Merry can’t leave Andais on the throne, but she fears she will die in a duel and orphan her babies, and lose everything. Merry wants to be left the fuck alone, and I can’t really blame her. So, what to do?
I took a day to clear my head and write something else, because sometimes an idea will block the creative pipe. Fifty pages later I had the beginning of the next Anita Blake novel. It was ready to write and ready to go. Okay. I went back to Merry, because that was what was due next. Again, the writing slowed to a crawl, so I took a day, and thirty-forty pages later I had the beginnings of a brand new book set in a brand new world, with a brand new main character. That book is almost ready to write, I just need a little more time to world build, but the character, the voice, and the opening gambit are written and set. It’s based on a sticky note that I’ve had on my wall of stickies for ten years. I love it when an idea finally lets me know it’s ready. Then I went back to Merry, and the book never picked up. I crawled along at a pace that was never going to make deadline. I finally had to call my agent and my editor and tell them it wasn’t happening. There will be no Merry book in December this year. Sorry, guys but there won’t be. Merry has put her foot down and simply doesn’t want her life screwed up this badly. I have tried everything and anything I can think of, but in the end Merry won’t play ball. I’m leaving her alone, and going to let her and the muse that plays with her sit and think. I think we’ll work it out eventually, but I have no idea when. I know we will though, because I have scenes written when the twins are in kindergarten in L. A. and they are fun scenes. We will get there, but first we have Andais to conquer, seduce, or something. I have some ideas, but they aren’t ready yet. It’s cooking, slowly, and in the mean time . . .
If I had still been at two different publishing houses I’d be in serious trouble, because the other publisher would want the Merry book, but this sort of thing is why I decided one publisher in the U. S. would be a good thing, because now whatever book I write is theirs, so they won’t get a Merry book in December, but they’ll get the next Anita book, though not in December. Sorry, even I don’t write that fast. They’ll get the new book when the time comes, too. Whatever I’m working on is something they get to publish and make money from, so they stay happy, and I have the luxury as a writer of actually writing what speaks to my muse, and wants to be written next, regardless of deadline pressure. This is the first time in twenty years, thirty books that I’ve ever had to miss a deadline completely, and just say, “I can’t.” I hated doing it. Hated saying it, but once I worked through the issues of having to do it, it was a huge relief. I should have called it a couple of months ago, but I’m nothing if not stubborn, and I was just sure I could force my way through it. But writing isn’t like making widgets, it’s not just tab B into slot A, if it was then anyone could do it, and you’d get a Merry book this Yuletide season, but there is an element of mystery to it that even I don’t completely understand. I do know that by forcing myself to stay with this book long after I, my muse, and my main character, were done with it hurt me as a writer, and pissed my muse off. She left me for a bit, my muse. She left me to the harsh mercilessness of the blank screen, and no words. I’d never been so empty, not since I was twelve. It was one of the most horrible feelings. I had been disdainful of people with writer’s block. That it was a failure of confidence and that wasn’t really something I suffered from as a writer, but it’s more than that. The muse, whatever it is exactly, needs a certain amount of care and feeding, and trying to force feed this Merry book down it’s throat damn near made us both choke.
My muse wants to play with Anita, and the new story, and other ideas are coming, but only after I came to my senses and stopped treating my gift, my muse, my inspiration, like an assembly line where you can just put a book together because it’s time to do it. I’ve done it that way for twenty years. I have never, ever abandoned a book in place. Hell, I sold the first book I ever wrote, Nightseer. Most writers have trunks of unsold, and mostly unsalable books, but not me. I write it, I sell it, its what I do, but not this time. This time my muse let me know that I had to cut this shit out, or she was packing her bags and leaving, so . . . I cut this shit out. I listened to that mysterious part of me, and I am learning what feeds my muse, what inspires me, and what starves her, and what harms me as an artist.
Eventually I’m pretty sure you’ll get the next Merry book, but I don’t know when. You will get the next Anita book, because I’m writing it now, and you will get the brand new adventure because it’s alive in my head and I’m making more notes, and there will be other short stories, because my muse and I have reconciled like a feuding couple rediscovering that they love each other, after all.

Kiss the Dead tour – St. Louis

Kiss the Dead – St. Louis

We kicked off the tour for Kiss the Dead in our home town, St. Louis, Missouri. Venue was the downtown location for Left Bank Books. Thanks to everyone at the store that helped make the event work so smoothly. I signed books ahead of time, because the ticket admission gets you a signed book, and the show. Yes, it’s supposed to be a question and answer session. What Jon, my husband, and I have come to call, “Laurell and a microphone show.” Anyone who’s ever seen me on stage for a Q & A will understand why we call it a show. I pace and prowl the stage like one of those big cats in the zoo that paces their cage. I’m not sure why I do it, the pacing I mean. I was taught to use most of a stage so that everyone gets a good view, but it’s more than that. It’s something about the energy of the crowd, the night, the event, something that makes me need to move. Years ago people would put me in a chair, but I can’t sit still and do this, I can’t. The only time I’ve sat down on stage was when I came into the event injured, or when I shared the stage at a convention. The latter wasn’t a full two hours, but if I have to share the stage and the microphone I can, and do. I’m all about the sharing if you guys have come to see more than just me. Charlaine Harris and I shared the stage in St. Louis for an event to benefit the library there, and it was a lot of fun. She’s good people, and we’ve known each other for years. But most of the time it’s just me, with an occasional guest spot on the mic from Jon, as we answer questions.
In St. Louis it was a space in the basement, and my microphone was on a cord like a leash to keep me in one spot. It does short leash me, so that I can’t wander as I’d like, and there’s always the chance I’ll trip over the cord. I managed not to do that, but it had been so long since I’d been on a cord that I forgot one important safety tip. I tend to bundle the slack of the cord in my free hand, so I don’t trip. But I also sometimes try to gesture with my hands, I forgot that I had the cord in the hand not holding the mic, and I hit myself in the face with it. All I could do was laugh, and not do that again. Important safety tip: don’t talk with your hands when both hands are full.
I think the original audience was supposed to be about two hundred people, because that’s how many books I signed ahead of time, but as always seems to happen the audience magically grew. Jon and I estimated about three hundred because most ticket holders brought at least one person, sometimes two, to four extra people, sometimes more. Though, I don’t think there were groups larger than that in St. Louis. There were more people than seats, and some stood for two hours. Thank you for being willing to do that.
The bookstore had put a microphone on a stand near the front. That works much better than someone trying to move through the crowd with a mic. It’s much quicker to have the mic set up, so that people can line up and I can answer as many questions as possible. The only issue was the aisle was so narrow people couldn’t line up without getting in each other’s way, so important tip for next time, wider area so we can have the line, and people can move back and forth without having a traffic jam at the microphone. There’s always a learning curve for each new space, and venue, like trying to fit the whole band on a stage, you learn how each space works best. Before someone asks, no we do not travel with a band, it was a metaphor. (For those who thought, of course, it was a metaphor, why did she over explain, trust me sometimes over explaining on the blog saves time and disappointment for fans later. I will leave live music to Neil Gaiman and his very talented wife, Amanda Palmer.) We have had music by S. J. Tucker at one event, she played while I did a more traditional signing, but she kept playing some of our favorite songs, so that Jon and I wanted to dance. It’s hard to sign books and talk to people when you’re trying not to dance. It was a great night, but S. J. is a wonderful singer/songwriter and it was like being at a concert, but having to work the whole time. Wanted-to-dance! *laughs*
We got one new question that I was anticipating, what did I think of Fifty Shades of Grey? No, I have not read the books yet, but lots of people have sent me scenes from the book and asked for my opinion, mostly the bondage scenes, okay, it’s always the bondage scenes. *laughs* Those who’ve been reading me know that I’ve been writing bondage scenes for years. E. L. James may finally have brought bondage into the mainstream, so yay! Anything that makes people more comfortable with their sexuality is a good thing. I’ll probably be hearing this new question a lot this tour.
There was one brand new question from a fan that we first met in Milan, Italy. *waves* Had I thought about a reality show? In fact, yes I had, or rather I’d discussed it with my agent, but in the end we decided not to pursue it. Why? Because I can’t imagine having cameras following me around filming my life. How would that work? I think that about the time things got “interesting” I’d be making them turn off the cameras and get out. Some reality show contracts have clauses in them that dictate under what circumstances you can tell the cameras to leave, or stop, and what they are allowed to film, or not allowed to film. I just don’t think I’d be comfortable exposing my family to that. One of the reasons not to do it, was illustrated in the follow up part of the question. She said, I’d save marriages across the country if I’d do a reality show.
I asked, “What about me doing a reality show would save marriages?”
I can’t remember the exact wording, but the gist was that I’d inspire couples to have better sex by sharing my fantasies on camera. *blink, blink*
“And that would be an example of when I would make the cameras leave,” I said. Though, laying out a line of toys and props, letting the camera do a loving close up of it all, then kicking them out and locking the door has it’s amusement value. But actually filming “fantasies”, um, I think that would be over my comfort level of sharing my life. Ah, nice lady fan, you naughty girl you. *shakes finger at you* *laughs*
We put one of the new business cards in every book I signed. The card had a new bit of technology on it, a QR code. If you use a smart phone to scan it, or have Jon give you the uber secret code at the signing you can get to a secret website that will have Easter eggs that you can only get with the code. For those who don’t know what I mean by Easter egg in this context, it’s extra, or bonus material. Best example is the very last scene in The Avengers where all our heroes are eating shawarma, as Tony Stark, Robert Downey Junior, suggests at the end of the fight. Its just this little scene at the end, but it was totally worth waiting to see it. To see the bonus scene in The Avengers you have to wait through all the credits, to see our Easter eggs you have to be at an event, or get someone who was at an event to share the super secret code with you.
What kind of bonus stuff is there? Little videos and pictures, and some explanation, or written content that isn’t available anywhere else. It is actually the new tech of the smart phones that gave us the idea to try. If all goes as planned I’ll be putting up new content throughout the tour. Something new every day.
We did pictures after the show in St. Louis, and found the images already up on my Facebook that night. You guys are fast! Thanks for making our kick-off for Kiss the Dead so much fun! See everyone in Seattle, Washington next!

Our luggage was fine, the airline lost us

Moline, Illinois has a lovely airport. It’s small, maybe twelve gates, but it has some nice comfy chairs, and an area of cubicles with plug-ins for your electronics. There are some very nice people there that helped my husband, Jon, and I, on Monday when United Airlines lost us.
Yep, you read that last part right. United Airlines lost us, not our luggage, but us. We got off the plane from Denver and there was nothing in our paperwork, or in the computer, that said we should have been in Moline. So, according to the airline we weren’t there. Yes, we were standing talking to the nice gate agents, so we were obviously there, but the computer said we weren’t, or rather, said we should have been in Chicago and there was no mention of the stop in Moline.
How did United Airline lose us? I’m not really sure, but I can tell you how we got to Moline.
Sunday night was our original departure, but the direct flight to St. Louis was cancelled, because the crew timed out. What does it mean when a crew times out? That they’ve flown too many hours and now legally can’t fly again until they’ve had some rest. The airline did try to find a crew to replace them, but had no luck. Jon actually got notification on his phone that the flight was cancelled, before they announced it at the gate. We learned later from several employees that the new computer system often gave information to the customers before letting the agents know that flights were cancelled. We would be hearing complaints about the new computer system, a lot in the next twenty-four hours.
There were no more flights to St. Louis that night anywhere, on any airline.
United did put our entire flight up at the Double Tree, and we were given food vouchers for forty dollars. We were told to give up on getting our luggage for the overnight stay, because it would take at least two hours to get it. Jon and I wanted our luggage so we found plug ins for the electronics and sat down to wait. A lot of the people from our flight decided the same thing. While we waited for the luggage we texted and called trying to find someone to take care of our daughter, Trinity, for Monday. Normally, Jon’s family would pitch hit, but his parents are having a well-deserved second honeymoon, so we got hold of my sister, Chica, and she was able to rearrange work to pick Trinity up from school. She was with her father for the weekend, and he was dropping her at school, but nothing after that. We did finally get our luggage and most of the flight went out to grab the shuttle to the Double Tree.
Thanks to everyone at the Double Tree that made the night and the breakfast next morning as pleasant as possible.
Next morning and we’re back at the airport. Now the real fun begins, as we talk to the ticket agent, Peggy. She seemed confused by why we were there, and what we wanted. We’d been first class on the cancelled flight, but the only flight they could get us on Monday was economy, so the computer wanted us to pay for checking the bags, which you don’t have to do in first class. Peggy called over another agent trying to figure out how to convince the new computer system to stop trying to be so efficient and be a little bit more user friendly. Finally, we got our boarding passes. I noticed a problem, so I said, “There’s no mention of Moline on any of this, shouldn’t the boarding passes, or something, say Moline since we’re going there next?”
Peggy said, “No, you’re fine.” There was more reassurance from both her, and the other agent helping her. They made several more mentions of the new computer system and how confusing it was. We’d gotten to the airport with over two hours before the flight, by the time we finished talking to Peggy and her friend, we barely made our flight.
But we did make it, and we were happy to be on our way home. Except that home was through Moline. The new computer system knew exactly where our luggage was, but we, we weren’t supposed to be there. The computer either kept thinking we wanted to go back to Denver, or were already in Chicago. In fact the very nice gate agents Barry and Becky were puzzled why we weren’t on the Chicago flight leaving then since there were two seats left. Peggy had assured us that there were no seats on any Chicago flight earlier than early evening flight we were scheduled on. But the new computer system wouldn’t let Becky, or Barry, change our flight time. We watched the noon flight to Chicago take off, and waited for someone to figure out if we were waiting for nearly four hours in Moline, or if there were other options.
The maddening thing was that we were closer to home in Moline than we would be in Chicago. We could have driven home faster than waiting through all the flights. In fact, we had suggested that to Peggy in the first airport of the day, but she had assured us that if we jumped ship, or plane as it were, that our luggage would not be loaded onto the flight in Chicago and would never get to St. Louis, because if they couldn’t match up our luggage to us, they wouldn’t load it. Now, everyone who’s ever had luggage lost in the airline system knows that this sounded wrong, but the more we debated with Peggy, the more adamant she, and her fellow agent, were that if we didn’t do all the flights our luggage would be trapped in Chicago. If we had continued to debate we might never have made our plane at all.
We told all this to Barry and Becky, and they were puzzled, and didn’t agree with what we’d been told. In fact, our luggage was happily in the system and would eventually end up in St. Louis, it was only the two of us that were not making the new computer system happy. We were not supposed to be there.
We could wait for nearly four hours in Moline, then fly to Chicago, and have thirty minutes to make our connection. How many of you have seen the movie Home Alone? Do you remember the scene where the family goes running madly through the airport to make their plane? We think that someone at O’Hare International Airport decided that must be part of everyone’s experience in Chicago, because they are infamous for last minute gate changes, and especially for just putting your arriving plane and your connecting plane too damn far away to make at a reasonable pace. Our record in O’Hare is four gate changes for one flight. The chances of making a connection in Chicago in less than forty-five minutes is slim. So, we could wait forever in Moline, and then still miss our last chance to get home in Chicago. Or . . . We could rent a car and flee.
Through the grace and kindness of the wonderful people in Moline we were able to rescue our luggage, rent a car, and start driving for home. Jon and I were almost giddy with just being in charge of our own fate without the new computer system, or misinformed ticket agents, or pilots with too many hours, derailing our trip home.
We put on the album Avengers Assemble, cranked it up and drove towards St. Louis. Jon and I hadn’t been on a long drive just the two of us in years. We talked about the movie, The Avengers, and how much we loved it. We discussed favorite parts, and that maybe seeing it again on the big screen would be fun. We talked about comic books, where Jon is by far the expert. I asked how much of the movie matched the comics. He said, it’s closest to the Ultimates. We talked about birds that we saw as we drove, and that’s my area of expertise. The male red-wing black birds had set up their breeding territories along the road, so that there were red-wings set up every dozen yards, or so. The roadside ditches in the Quad City area of Illinois must be prime territory, because I’ve never seen so many of them so close together outside of a marsh. We saw a peregrine falcon zipping beside the road. Killdeers, our inland plover, flew like small falcons themselves. Jon and I talked in a way that we have almost from the first time we met. We talked other movies, comics, myth, birds, wildlife, mountains, and I read him bits of what I’d written on the plane. Even with bathroom breaks, and stops for food, we beat the flight we were originally scheduled on into St. Louis, and it was a lot more fun than waiting in airports for hours, and then flying home. Modern air travel is great and makes a quick weekend getaway possible, but sometimes a good old fashioned road trip is just the better way to go. Hmm . . . Maybe my Mustang needs to strectch her wheels soon?

Avengers, writing, Anne of Green Gables, and The Expendables for Mother’s Day!

Avengers for Mother’s Day!

Avengers totally rocked! An adventure movie where the action rocked, but so did the characterization, the dialogue, the humor and the poignant moments. Favorite bit of dialogue, “Puny, god.”
Loved what they did with Black Widow played by Scarlett Johansson. Her fight scenes were every bit as good as any of the others, and that meant they were amazing. I don’t know if they had a better fight coordinator, or if Ms. Johansson had hit the gym, or they had a better fight double, but whatever they did this Black Widow was everything she should have been and more. It was so much better than her first appearance in Iron Man 2.
Only thing I missed was a gratuitous shot of Chris Hemsworth shirtless. But as Jon pointed out, no one had a gratuitous flesh shot, which was nice, even wonderful, it was all about the story, but still . . . loved that one scene in Thor. *grin*
Just in case someone hasn’t seen it, I’ll avoid spoilers, but there are a lot of great moments in the Avengers. It is definitely one to see on the big screen.
Now watching The Expendables with Jon, Trinity, and Chica, my sister. We saw the previews for The Expendables II and Chica had never seen the first one, so we’re watching the first movie to prep for the second. Besides, it’s Mother’s Day and I love this movie.
Trinity got me the complete Anne of Green Gables movie set for her gift, and was so excited that she’d gotten me exactly what I asked for that she couldn’t wait for me to watch it, so we watched it yesterday.
This morning I woke early my muse loud in my head. I did pages before breakfast letting everyone else sleep in, then the planned breakfast was had for brunch. Chica fixed Cinnamon Apple French Toast, which is a Cooking Light recipe. It’s become one of my new favorite breakfasts.
The idea that I wrote on today wasn’t the Merry book. An idea hit a few days back, that’s actually probably been trying to break through for a few weeks. One sign of that is that the Merry book has been going slower and slower. Usually when I have what I call an interrupting idea, or a pushy idea, I know what idea it is, what characters, some clue, but not this time. So when I uncaged my muse I had no idea what we’d be working on. Why did I interrupt the Merry book, because I’ve learned that if an idea is pushy enough it will actually act like a creative log jam. It can bring all work to a grinding halt. It’s best to give the idea at least a day. The problem comes when the first day of pages is ten, or more, then I know I’m in trouble. That’s how I got the books Micah, and Flirt. One interrupted a Merry book, and the other actually pushed ahead in the cue of a different Anita book. The short piece, “Can he Bake a Cherry Pie,” did that when it was ready to be written, too. I’d had the idea on my sticky wall of ideas for a few years, but when the story was ready to write it jumped ahead in line. Some stories, and books, just demand your attention. Sometimes you can bull through it, but I find that it works best to work with your ideas and your muse, not against them. I now have two chapters and some of a third of a completely different book. We’ll see if it writes as fast as the other three pushy ideas did. I love it when the writing flows like the proverbial water from the cleft rock.
I gave myself a day about a month ago and in one day had thirty pages of a totally different book. I put it away and went back to the Merry book, because the thirty pages took the edge off and cleared the log jam. This idea, not yet. Whatever magic point needs to be written, I haven’t found it yet. I’m beginning to worry that they’re all book ideas. I’ve had two books fighting for first place in line before, and I managed it, but three? I’ve never tried to juggle three before. It would be hard to make progress towards deadlines if my attention was that divided.
I was going to do more pages after the movies, but I’m thinking early bed sounds really good. I think that four hours of sleep last night is catching up with me.
So a lovely Mother’s Day winding to a close here. I hope that all the mothers out there had a great day full of things that made them happy, I know I did.

Haters

They will hate you. Someone, somewhere, sometime, will hate you. It is going to happen at some point in your life, probably several times. You can’t be nice enough, or good enough, or scary enough, or bully enough, to prevent them from hating you.

Why will they hate you? So many reasons, here are just a few.

They may hate you for the color of your skin, your sexual orientation, that you’re prettier than they are, that you’re uglier than they are, more popular, less popular, your religion, your lack of religion, that you’re more successful than they are, that you’re less successful than they are, that you are a better athlete than they will ever be, that you’re a worse athlete than they are now, that you dropped a ball, you caught a ball, you ran a touchdown, you fumbled a touchdown, that you write better than they ever will, that you have a happy family & they don’t, that your married & they want to be, that you’re single & they want to be, you have kids, you don’t have kids, you have a bigger house than they do, better job, no job, a lot of money, very little money, your grammar doesn’t meet their standards, you’re taller, shorter, too loud, too soft spoken, getting more sex than they are . . . The list goes on forever.

Don’t let the hatred get you down, or stop you from doing what you need to do, just do it, be yourself, & let them hate you. They will hate you no matter what you do, just don’t let that hatred, that envy, that jealousy, do anything, but let you know you are you, & since the only thing you can be is yourself, let them hate you. Let them eat their own hearts out with envy. Let them choke themselves on their feelings of inadequacy that they project on you. Let their jealousy blind them to their own highest truth. Let their self-loathing use you as a substitute for themselves. Let their fear narrow their world & destroy their own possibility of happiness. Know that hate breeds only bitterness & failure in the end. Do not hate them back, because then they own you. Don’t give them any power in your life. Don’t try to understand them, because if you are doing what you are most meant to do, following your greatest & best path in your life, you will have no time to hate, you will be too busy living.

Kiss The Dead Tour Events

Tuesday, June 5—St. Louis, MO

“An Evening with Laurell K. Hamilton”
7:00 PM
Bridge Tap House & Wine Bar (sponsored by Left Bank Books)
1004 Locust
St. Louis, MO 63101

Visit http://www.left-bank.com/event/hamilton for more information and to purchase tickets for the event. The ticket package to the launch party is $30, admits two people to the event, and includes one signed copy of Kiss the Dead. Laurell will answer questions from the audience and after will greet readers and take photos.

Thursday, June 7—Seattle, WA

“An Evening with Laurell K. Hamilton”
7:30 PM
Town Hall Seattle (sponsored by University Book Store)
1119 8th Avenue (enter on Seneca)
Seattle, WA 98101

Visit https://www.brownpapertickets.com/event/249984 for more information and to purchase tickets for the event. Admission for the event is $30 or $35 for a companion ticket. The individual ticket price includes entrance for 1 to the event and 1 signed copy of Kiss the Dead. The companion ticket price includes entrance for 2 to the event and 1 signed copy of Kiss the Dead. Laurell will answer questions from the audience and after will greet readers and take photos.

Saturday, June 9—Huntington Beach, CA

“An Evening with Laurell K. Hamilton”
7:00 PM
Barnes & Noble
7881 Edinger Avenue
Huntington Beach, CA 92647

Visit http://store-locator.barnesandnoble.com/event/76713 for more information about this event and about how to reserve a signed book/priority wristband. Reserved, pre-signed books with priority wristbands can be picked up the day of the event starting at 5:00 pm. General admission wristbands will be available the day of the event at 5:30 pm. Laurell will answer questions from the audience and after will greet readers and take photos.

Monday, June 11—San Diego, CA

“An Evening with Laurell K. Hamilton”
7:00 PM
The Carlsbad Library, Ruby G. Schulman Auditorium (sponsored by Mysterious Galaxy)
1775 Dove Lane
Carlsbad, CA 92011

Visit http://www.mystgalaxy.com/laurell-k-hamilton-carlsbad-library-0611 for more information and to purchase tickets for the event. The $35 admission ticket includes 1 signed copy of Kiss the Dead. Laurell will answer questions from the audience and after will greet readers and take photos.

Wednesday, June 13—Atlanta, GA

“An Evening with Laurell K. Hamilton”
7:00 PM
Barnes & Noble
2900 Peachtree Road NE
Atlanta, GA 30305

Visit http://store-locator.barnesandnoble.com/event/76714 for store location and directions. Pre-signed copies of Kiss the Dead will be available for purchase at the event. Laurell will answer questions from the audience and after will greet readers and take photos.