Afraid to Hope

Finished work at 2AM went to sleep at 3AM. Alarm sounded at 6AM. Getting up after only three hours of sleep was brutal. What was worse was the fact that the current book I’m writing, Bullet, the June Anita Blake novel, was still not finished. Days and nights of punishing page counts and hours and still the end eludes me. I sit here at nearly 5PM and am still not done. I have a chance to be done tonight before dawn if I can find the stamina to do it, but I honestly don’t know if I have another late night in me. Jonathon, my husband, and Carri, my good friend and assistant, are both staying up with me as they did through the ends of Flirt and Divine Misdemeanors. It’s wonderful that they take turns helping me with technology and hot caffiene, but it means that none of us are getting any sleep. Usually this kind of schedule is a day, two at the most. I’ve been doing 10PM to 2AM as my stop time for work for weeks now. There are a few nights that I didn’t. We had a funeral two weeks ago, and that took some energy out of my muse and me. We we were away for three days to promote Flirt. I enjoyed meeting and greeting everyone at the signing. We loved visiting with Jennie Breeden of “Devil’s Panties” and Happy Goth and their fellas, but it was three days lost when the book was at a white hot heat. I’d finally gotten my feet back under me after the funeral and was running with the book. A day away near the end of a book and the heat cools for me. Three was deadly.

But the deadline loomed and I whipped my muse and me to get back to work, and work we did. We’ve done more pages than I care to keep track of at this point. So here I sit listening to music loud to help keep me awake and aware. I keep rereading the pages and they read well. Over the years I’ve found that my mood, my level of tiredeness, or restedness, has almost nothing to do with how good the pages are. I’ve written great stuff while weeping hysterically at the computer mired in grief and misery. I’ve written sad pages when I was happy in real life. Happy pages are harder to write when I am, personally, unhappy.

I knew I was in the zone for Bullet when Sunday after the gym when Carri and I came outside I was startled to see the snow and have it be cold. It’s summer in the book, and I’ve reached that magic moment when Anita’s world is almost more real than parts of my own. I keep her and her imaginary boyfriends in my head like a song that keeps playing in my head. I know the tune, the words, I know this song. I really like this song. But like it, even love Anita and the gang, I’m tired. I long to be done the way you long for a long lost lover to return from a trip. I need sleep, and time away from the computer. I need to replenish that part of me where the muse lives and my ideas grow. We are all tired my muse, my characters, and me. It’s like a marathon where I see the finish line, and I give it that one last burst of energy giving up all my reserves to make that last push, only to find that the finish line has moved just a little farther away. So that I sit here and I’m afraid to hope that I could actually be done tonight. Afraid to hope, and knowing that I am almost done. Damn it, but I am, but will one more night of punishing work get me to that finish line, or will I see 3AM again and still get up a couple of hours later with the book still stretching before me? Fuck, I hope not.

 

In the Bright Light of Day

Sometimes I’m too hard on myself and that makes my character Anita Blake too hard on herself. Merry Gentry cuts herself more slack than either of us. I’m not sure why, but Anita does take the brunt of my near punishing standards for myself. Example in point, last night’s writing session. I expected Anita and myself to be able to go from seeing one of THE most violent crime scenes she’s ever seen, plus video of another murder where the bad guy is taunting Anita personally, to being able to do cocktail party talk and flirting. It’s what was up next in plot, and we do need the scene to bridge to the nearly hundred pages beyond this point, but having put the crime scenes right before it has to change the scene.

Anita and I were both beating ourselves up last night. Why couldn’t we just do what needed to be done? Why were we being such babies? Why was this bothering us that much? Did I mention it was one of, if not the, most violent crime scene she’s seen, and I’ve written? Why should a little thing like that throw us off our game? Why should we have a hard time going from that to polite questions and getting to know some new weretigers? Why couldn’t we just suck it up and do what needed doing? That was really how I was thinking last night.

This morning I woke up cuddled next to my husband, Jonathon, and thought what the hell was I thinking last night? In the clear light of day, in a nest of warm blankets and warmer husband, I suddenly understood why I couldn’t write the scene last night. I understood why Anita just balked. We came to a freaking stand still. She and I blinking at each other over the imaginary distance like shell shock victims. Because for her, that was pretty accurate. How many horrors can you see before they leave a stain? How much violence can you deal with before your mind, your body, and your spirit, simply rebels? Last night was our moment, my imaginary friend and me. We just couldn’t step from police work, violence, blood and gore, to cleaning up for what amounted to a cocktail party. One where the shapeshifter and vampire politics was deep on the ground. Anita couldn’t figure out how to be the pretty girl on Jean-Claude’s arm, and I couldn’t figure out how to write the scene, because what we really need to do is give Anita a break. She needs her own version of a good night’s sleep with the men she loves, so she can wake up in a nest of covers all warm and loved, and a little healed.

Anita book plots are usually screamingly fast. It’s like a roller coaster ride from one event to another. But sometimes the hill is so high, the drop so low, that you want off the roller coaster. You scream, not because you’re having fun, but because screaming is the only thing left to you. You can’t climb out. You can’t get away. You can’t stop the machinery. You just have to hold on and scream. Anita has reached that point where she wants off, and I’ve reached that point where we both need something a little gentler. Merry-go-round sounds about right, but we’d settle for the tilt-a-whirl. But something kinder than this, please.

The earlier deaths took a toil on her and me that I hadn’t really fully owned. We just don’t have the reserves of strength and stamina, that we normally have. Some emotional wounds, some psychic scars, can’t be bulled through. Sometimes you have to admit you’re hurt and that if you don’t stop to staunch the blood eventually you will bleed out. Eventually your heart and mind won’t be able to just keep moving. Today, I have to figure out what I can do on paper to give my girl that moment of reprieve so she can get her feet back under her. But one thing I know is that neither of us can go into the next scene as planned and have it work as planned. We can do it, but we have to do it honest, which means Anita is going to be as fragile emotionally as I’ve seen her on paper, or close to it. She needs a break. I need a break. We’ve set this book a year from the end of Flirt. She’s had a year of relative calm, but I haven’t. I haven’t seen the violence for real, but I have been writing as hard as I can for about the last year. Even for me this is an insane schedule. So, on one hand, Anita had a break of a year. On the other hand, I don’t really have to deal with the violence, but I didn’t get a year of semi-rest. So between the two of us, neither of us gets a break. It’s weird, but my lack of recoup time coupled with my demand that the books not only meet their deadlines, but they be the best book I can write, is taking it’s toil. Even with a deadline this tight I am sacrificing hundreds of pages because it’s not quite good enough. I won’t sign my name to a book that I don’t like. I’m not saying the books are perfect, that’s not the goal, because perfect isn’t real, but I do the best I can every damn time. I won’t short change my imaginary friends, or myself, but standards this high come with a price. I’ve had other writers tell me, “Well, I know its a weak book, but my deadline . . . ” If I think its a weak book I rewrite it regardless of deadline, which is how we came to this last few months of deadlines. You can fix books and rewrite and fall behind a little, but then the time you carve from one deadline gets cut off the next one, until you end up with several books in a row where the schedule is punishing, and my muse and I are whipping ourselves to make it all happen.

I had a morning with my family. Anita needs her version of that, or we go into the next scene and she looses it. We loose it, and finally admit that there is no big, red “S” tattooed on either of our chests. That no matter how strong, or how much metaphysical ability, that eventually your emotions are still merely mortal, and eventually you need more than just a good cry. So, I either have to break up the plot which will be difficult, or we forge ahead and let Anita and me fall down a little. Fall down so that people we love can pick us back up and reassure us that no one expects us to be Superwoman. No, honest, they don’t. It just feels that way.

 

Atlanta Signing Tonight, Imbolc, and Ground Hog’s Day

Flirt, the newest Anita Blake novel, is out today! Thanks to everyone that have already told me they’ve gotten it, and are reading as I type this, or even have already finished it. Thanks for the love it comments. Thanks also for not over sharing with all the people that have not finished the book yet.

It’s also Ground Hog Day. Punxsutawney Phil saw his shadow so six more weeks of winter. Our snipers failed.

Happy Imbolc which is the celebration of the rekindling of the light as we prepare for spring. In our faith the Goddess, Brid, pronounced Breed is the one most associated with today. She is also Saint Bridget, so happy St. Bridget day! Since this holiday is all about warmth and the rekindling of the fires it seems strangely fitting to have a new book out, and to celebrate with all you guys who will be in Atlanta tonight at the signing at Barnes & Noble at 2900 Peachtree in Buckhead, at 6:00 PM tonight. We’ll do a brief question and answer session and then we will sign Flirt, or one object of your choice. For those die-hard fans you can go back through the line a second time if you have the stamina. Jennie Breeden of “Devil’s Panties” will be with us because she did the cartoons in the back of the book. Yes, Anita and the gang, with cartoons. How fun is that?

I realize in looking over my copy of Flirt that I forgot two things. One, the web address for Jennie’s site, http://devilspanties.keenspot.com and in the essay in back I say I’m going to list reference books used for Flrit but in rereading the nonfiction piece I could not find the reference books listed. My bad. I will blog the reference later but I am far from my reference library and have most of my staff with me so can’t remedy my oversight. Sigh, no matter how much editing, or how many people see a piece there are always things left out. But thanks to modern technology they’re easier to fix than they used to be. See you guys tonight.

 

Counting Blessings instead of Chores

I did an amazing, even by my standards, 27 pages today. Oddly, I did the same number last Sunday, but in two writing sessions instead of the one massive one I did today. Apparently, I write very productively on Sundays. Early in the book, any book, I have days when 4 to 8 pages is a very good day. I tend to pick up speed the closer I get to the end of a book. It’s just a natural rhythm that I’ve always done, but some books will have days of twenty plus pages and some books if I do over ten near the end I’m happy. Every book is a little different so has a different page count rhythm. The trick is to find that rhythm.

I am looking forward to seeing everyone in Atlanta on Tuesday the 2nd, but I must admit with the book, Bullet, going this well I am loathe to leave it. No matter how many notes, or even pages I do on the plane, it is not the same as being in my office, and even a day’s interruption can sometimes throw me out of the zone. My wise editor did offer that I do no events for Flirt, because of this well known fact for me, but that was weeks ago and I was feeling more optimistic. Now, half of me wishes I’d listened to my editor and didn’t have to interrupt Bullet, and the other half is looking forward to seeing Jennie Breeden of “Devil’s Panties” fame, and all of you at the signing. I’m always torn between going out and saying hey, and hibernating in my office so I can finish the current deadline. I naturally write very fast, but even for me so many sessions of near 30 pages is unusual. It gave me the delusion that I could finish before we get on that plane tomorrow, but alas, so not happening. I’m sad about that, but I’m still excited about the Atlanta signing and Flirt finally being in the stores. I’m very excited to have Jennie with us since I commissioned her to do the cartoons in the back of Flirt. I explain in the nonfiction piece in the back of the novel how we ended up with cartoons for one of my books. It all turned out even better than I could have hoped. I do love it when a plan comes together.

So tomorrow we get on a plane and Tuesday we will celebrate Flirt, the newest Anita Blake novel, plus cartoons from Jennie Breeden! I think this is the first time in years that I’ve been doing publicity for a new Anita book, while so close to the end of the next book. With Divine Misdemeanors coming out in December of 2009, this has been an insanely productive year even for me. So in celebration of that I am not going to feel bummed that I couldn’t finish Bullet before I go out to promote Flirt. I’m just going to be happy that I’m so close to the end of the book, and that we are doing the one event for Flirt, rather than a 26 city tour. I’ve done the 26 cities in 28 days tour before, and the thought we came away with was please, God, never again. I will be back to my desk within a couple of days. So I will count my blessings and not my chores. Funny how the two lists have so much crossover.

 

Tempted

One of the things I like best about fiction is being able to rewrite. It allows you to fix all your mistakes with a clear-eyed 20/20 vision that real life rarely gives you. But just because you can fix the “mistakes” does that mean you should? We had deaths of characters early in “Bullet”. I cried, I got depressed, I put it out on the Internet, and let all that emotion spread. Not sure if I’ll do that again, by the by, but once I did it there was no taking it back. So since I have already shared, I’ll share this moment, too.

I am in the very end game of this book. I feel that we need some extra scenes earlier to set up the end. That’s fine, it happens. I’m rereading the book here and there searching for where to tease the cloth of the book apart enough to insert that new thread. I come to the scene I knew I’d need from the moment things went pear-shaped for the characters. I know I need one short chapter here. But it occurred to me that if I change things just a little, then we can save the deaths, the injuries, and so much, but even as I write this I know I can’t. I know the fight must stand as it is. Maybe I can save the last bit, the very last part, and make it not so depressingly final, but I’m left wondering why I’m so tempted to bring the dead back to life, and make the foolish smarter so that everyone can live?

Am I doing it for my characters and this book? Or am I doing it because I went to a funeral this week,a nd watched people I love grieve? If I had not seen another family member in a coffin this week would I be so tempted to save the lives of my fictional friends?

I don’t know. In a way a writer can never know what part of their real life impacts the writing the most. You can make guesses, and sometimes it becomes painfully clear. I’ve had that moment of clarity so bright and sharp that it is squirmingly painful. That therapy moment when you realize what issue you’re working on paper and why your character did that, and what dark bit of your own psyche needed it done. I’m more at peace with those moments than I was years ago, but still I usually know my motives after a book is written. I don’t remember questioning my motives before a book is finished before, not like this. So, I ask myself, if the funeral hadn’t happened this week, just Thursday, would I be this tempted to rewrite the book and bring the dead back to life?

I still don’t know. I do know that one of the reasons so few people that are emotionally important to my main characters is a direct result of my own early losses. I have had enough real death and loss in my life that I love the fact that in fiction I can save people. It still isn’t done consciously though, it’s just the way my muse and I roll. It works for her and me. If I change this scene and save people it will be a conscious decision to save the day. If I do it you, the readers, may never know where the scene was and what I changed, or who didn’t die. But I’m not sure that my own emotional wounds are enough reason to save my imaginary friends after I have already gone through the grief. We saved one of them early in the book and that was the very one that caused the extra carnage later, so in trying to prevent death I made it worse, made it a higher body count. Is that my lesson? That sometimes in trying to save one life, you risk more later? Or is the lesson, that I’m human and I’m allowed to have all these emotions. I’m allowed to be bothered by real life grief and I’m allowed to find ways to comfort myself. That would be true.

I’m just not certain where my own emotion leaves off and my responsibility to my imaginary friends comes into play. I’m not even certain which master saving the lives would serve; me, or my world? I will read the scene after lunch and that will decide me. If it reads well, I will let it stand, if it reads badly, then I may rewrite it. I have never been so conflicted about my own writing before. There is a part of me that wants it to read badly so I can have the excuse to rewrite it. Maybe that’s why God chooses to limit himself/their-selves in our world, because if They did not they would be rewriting around our own free will so often that time would stop and history be only theory. Free will is a wonderful gift, but in real life as in the imaginary one it can also screw a whole lot of things up.

 

The Funeral was Yesterday

We had a funeral yesterday. Great-Grandma Helen was nearly a hundred so her death was not unexpected, but in the end that doesn’t take away the grief, it only changes it. She had been sick for a very long time, and she rarely remembered present day or knew exactly what was happening around her. So that in many ways she was gone long before her body knew to leave. I have had grief both after long illness and age, and the sudden, shock of young, healthy people dieing. If I had to choose, I will take the grief of the old, over the grief of the young, because at least there is no worry that they were taken before they had a chance to fulfill their potential. There is none of that, if only, or why? Great-Grandma Helen had a full and wonderful life. She raised two fine sons, and lost a beloved husband almost thirty years ago. Her faith in God, and in her church, was as absolute as any I had met. She had a life time of memories which she no longer remembered fully, but it was all there. When the young die, you are left wondering what they would have been, what they would have made of their lives. You wonder who they would have loved, who would have loved them, and what difference they would have made to those yet to meet them, and the world at large. A light is gone before it had a chance to catch spark, and see how bright it could burn. Great-Grandma Helen knew how bright her life had burned. Her fire had blazed and was banked to keep her warm to the end. So, if I must choose, I’ll take this kind of grief over the other. Having had both multiple times, I know which seems to leave the deepest scar.

No one wanted to get out of bed today. The thought of sleeping was almost too tempting. Trinity is home from school with a cough that has worsened since the funeral yesterday. Too much out in the cold perhaps. Everyone from Jon’s parents to the three of us just wanted to snuggle down and not get up. But get up we did. Well except for Grandpa, it was his mother who passed away, and none of us begrudge him using his grieving days with getting a little more sleep. He probably needs it more than the rest of us.

My throat is raw, and I’ve upped my vitamin ‘C’ to lab rat dosages in an attempt to stave off whatever bug is trying to get me. No pages yesterday, but for once I’ve decided to give myself a break. Funerals make for bad creative workdays, unless the funeral is your business. How do undertakers deal with funerals of loved ones? Are they better able to deal, or does it not matter if its your loved one going in the ground? I’ll bet it doesn’t matter, because I know from friends who are police that when they lose a friend or family member to crime the grief is just as real and raw. The difference is that they both know the realities of the crime, which can be good or bad, and have a sense that they might be able to do something to catch the person responsible. Grief is the same, but they have ways to deal with it that we civilians do not. I would think it would be the same for those in the funerary industry.

There are other words swirling around in my head. I tried to do a blog about them, and the images from yesterday, but I realized I’m not ready. Not yet. Maybe I’ll get all that imagery out in a blog, or maybe I’m being told that it needs to sink down into my subconscious and become seed for something less real life and more imaginary. Maybe. I’ve learned to trust my instincts and that still, small voice that says, “Wait, its not ready. Let it lie fallow. Wait until spring.” Not real spring as in a calender date, but that moment when the seed of the idea begins to grow and I know what it is, and what it’s meant to be, and I follow that green shoot up into the sun where it can grow and become something bigger. But for today I have a book deadline and that waits for nothing and no one, not even grief.

 

Crystals

I’ve heard from a lot of you that shared similar, or different, early life traumas. First, thanks for sharing, and glad my blogs have helped you deal with some of your own issues, even if its just to know that you’re not the only one. I thought I’d share with you some of the pitfalls that I’ve found in working my own issues, and meeting others that are working theirs. One of the biggest traps for those of us with serious early abuse whether it be emotional, verbal, physical, or sexual, or any combination thereof, is getting caught in the cycle of trying to redo our childhood trauma. What do I mean by that?

I mean some of us try to replay the damaged relationship with our parent over in our own adult relationships. Example: Your father was overbearing, verbally abusive, and tried to control your life. Then you go out and marry someone just like dear ol’ dad. You don’t do it in the front of your head, but in the back you want to win daddy’s love. You want to fix the bad parts of your childhood by trying it again with someone who reminds you of your father. Trouble is that the exact same things that made your childhood a nightmare will now make your marriage the same way. If you do not work your issues, your issues will work you.

Own your issues, work your issues, don’t repeat them.

Another example: You were raised by a mother who didn’t value your individuality, but tried to fit you in their very square, very “normal” box. As you grew all your happiness came from things outside that narrow box, but then you get married to someone as extreme and cutting edge as you are. You guys are blissfully happy, and love the new life you’re building, but there is a part of you that still hears your mother’s voice in the back of your head. Maybe even the front as she visits you, or talks on the phone to you. You’re grownup now she tells you, you should live the life she things you should live. You should be a grownup and be normal, and not be so bohemian. So you begin to try and fit yourself and your wonderful not normal husband into the box. The same narrow box that didn’t fit you as a teenager, or as a young adult, and now you’re trying to shove not only yourself into the box, but the man you love. Why are you doing it? First, some of us that are broken in childhood feel that one day when we find the love of our life, or the right job, or whatever that we will suddenly fit in, and suddenly be “normal”. Some of us will do a great deal to try and fit into that narrow, narrow definition. The saddest for me is when wonderful people begin to cut and chop at themselves, and the people they love, to try and force everyone into the box, so they will finally “fit in”. And this scenario is also an adult who is still striving for their mother’s approval. You won’t get it, by the way. Or if you do, it will come at the price of everything that makes you happy, everything that makes you who you are, until there is nothing left but a shadow of what the mother-figure wanted in her perfect daughter, or son.

I did a version of the above, by the way. I thought when I found the love of my life that I wouldn’t want some of the things I wanted. I thought the perfect love would make me not want bondage and submission sex, or other non-standards things. My husband, Jonathon, had the same issue, so we were both trying to fit each other in that box. The issue of trying to be “normal” worked us over like a punching bag. Until we had the revelation that maybe its not about being “normal” maybe its about being happy. We’ve embraced our happy. In doing so, we found that BDSM isn’t even close to the entirety of our sexuality, but just admitting that it’s part of who we are, was almost more important than any actual sex.

You also get people marrying someone as disapproving as their mother, or father, who will make them conform just like the parents did. You also get the person who rejects everything good with their upbringing and will be actively destructive to themselves in an effort not to be like dear old mom and dad. Both extremes continue the damage done to us in our childhood. It keeps us perpetual victims. We in effect become our own abusers. How do we stop this cycle?

Therapy, good therapy, let me add. Bad therapy is sometimes just another kind of abuse. So hunt well, and research for the right therapist. It helps to find people with similar problems that have been happy with theirs, and where you’ve seen them make real progress with their own issues. That’s a therapist you want.

Now, you have to do the work though. A therapist doesn’t have a magic wand to wave over you. You have to be willing to look at the issues and work them. If you do not work your issues, they will work you. Just getting out of the house where you were neglected, or abused, doesn’t stop the problems. Some of us take the prison of our childhood with us wherever we go, because it becomes not an external prison with bars, but an internal one. Both types of prisons have keys, the internal ones, are just harder to find and understand, but you can do it. I’ve done it. I’m still doing it as I work at giving up the pain I was given. Giving up the pain is actually hard, because it’s your pain and you’re familiar with it. People have a tendency to cling to the familiar even if it’s hurtful. Let it go, new and better things will come to fill that pain-shaped hole. If you first let go of the pain, it can fill up with love, or confidence, or simply joy.

I do my work now through meditation, and my spiritual path. Deity wants us to be happy, honest they do. But we have free will and I’ll share a saying with you. “No plan so well made, that free will can’t fuck it up.” Unfortunately, very true. But the plan is for us all to be happy, healthy, and the best us we can be.

So, all of you, that told me that my issues spoke to yours, let go of your pain, let go of your hate, let go of your fear, because until we do we are still the victims of our families. Forgive them, maybe, but I’m not there yet. But I do know I had to let the anger go, because it was only hurting me. My grandmother’s dead, me being angry with her, doesn’t hurt her at all. But it was hurting me, so I let it go. Will it return? Yes, when something else reminds me of some old wound, or when I’m ready to look at more of the issues. Then the emotions get raw, and real again, but until then I’m calmer, I feel better, and I am not letting my childhood trauma rain all over my present day life.

But more than that, I’ve come to understand that the bad things in my past have made me who I am today, and I like me. I like the life I’ve built, and the people in it. People talk about being an abuse survivor, in a way we are all survivors of our childhoods, but the word survivor smacks of victim. I want a new word, because so many of us have not merely survived, we have thrived. We have thrived sometimes in spite of, but for me, at least, in part because of the bad things. I have found a way to make all that sad into a job, and a voice, and a career, that I love. I write out the darkness, and the bravery, and the good, and the bad, and you guys tell me it touches you, speaks to you. That is valuable, and without my rather interesting childhood I’m not sure I’d have that. Bad things can become the fuel for very good things.

But more than that I know I survived terrible things, and whenever I doubt myself I remember that. I remember what I’ve been through and that I’ve made positives out of all those negatives. The trick is don’t repeat the bad patterns, but first you must know what the patterns are, to avoid them.

I don’t call myself a survivor anymore. I still don’t have quite the right word for it, but I thrive, I succeed, I do not just survive, I thrive. Thriver, just doesn’t have quite the right ring, but its close. I own the positives in my own life, and remember all the negatives that I had to squeeze hard to make all this lemonade.

I’ll leave you with a thought that came to me a few days ago.

It is the places where crystals are broken, or imperfect, where you find rainbows. People can be like that, too. We shine brightest from the places where we’re hurt the deepest. Rainbows trace our wounds so that some of us sparkle and dance in the light with so many colors. Each one a badge of joy to show we not only survived, but thrived.

 

Monsters

I’ve tried to pretend my mood was better than it truly was today. Sometimes it works to act as if. Act as if you’re happy. Act as if you’re not overwhelmed. Act as if you’re more confident than you are. I’ve found that often if I act ‘as if’ that I feel braver, happier, and it becomes true with positive energy put into it. But today, it just hasn’t worked.

I’ve sat at the computer and got no pages. It’s an Edward scene and that usually writes very fast, and is a lot of fun, but today the page sits empty. I’ve chased my tail, and in the end not even caught that. What’s wrong? Nightmares.

I almost never have bad dreams, but this will be two nights in one week. It’s a record as an adult. I woke at 4:30AM from a dream where I was drowning. I’ve almost drowned for real two, three times, and that includes one diving mishap. I know that water represents emotion. I know that I feel like I’m drowning in it, them. I was raised that my emotions were not that important. Mine were certainly not as important as my grandmother’s. It’s left me with an ability to close down my emotions and survive in situations that most people wouldn’t. It’s a great survival skill. But she’s dead now, and she can’t tell me I don’t feel what I feel, or that somehow its wrong to feel it. I don’t think there was a single thing I ever wanted or desired that she didn’t tell me was wrong, or selfish. That goes from playing Dungeons & Dragons, to acting, to sex, to men, to marriage, to joining any religion. She disapproved of all of it, not for religious grounds. The only religion I was raised with was angry at God. She didn’t want to share me not even with God. Biggest fight we ever had was when I joined the Episcopal church in college. I don’t know what she would have thought of me becoming Wiccan. By the time I found my calling of faith, I no longer needed her approval.

I know the nightmares aren’t just about my grandmother, but they are about that old training that my emotions are somehow bad. The woman who raised me, called me evil to my face, a monster. This when I was still in high school, and early college. I won the fights though, by saying this, “Fine, I’m the monster.” Then I would go do whatever it is that she so did not want me to do. I can’t tell you how many fights I won, by saying that, my being the monster, being evil, if that’s what it took to step outside that door, and do the things I knew I wanted to do. What I wouldn’t realize for years was that words have power, a lot of power. By me saying, “I was the monster.” “I was evil.” I internalized that message. Not only were my emotions bad. Not only was it wrong for me to want anything separate from her from a husband, to faith in God, but it made me evil. It made me a monster.

Now I write about a main character that is slowly losing her humanity, slowly becoming one of the monsters, at the same time that she’s discovering that there are a lot of different ways to be monstrous. Anita worries that she is the monster, because people keep telling her she is, and she buys into it. But in the end its not fangs, or claws, or super human strength that makes you a monster. Sometimes, its just words spoken too often, too loudly, by the first person you ever loved wholly and completely. The first person that was my life and my safety, told me I was a monster. Where do you put that? What box do you hide that in? Me, I write it out. I take the demons out of the dark and drag them kicking, screaming, biting, into the light. I throw them onto the page and exorcise them with the very words that created them in the first place.

 

Emotional Distance and a Spoiler

Spoiler Alert: Read with caution

In an effort to try and get me out of the deep, blue funk that I’ve been in, I tried to wear something yesterday that I have never worn to work as a writer. I wore an elegant, black, designer skirt, thigh highs, a simple black sweater, that was suddenly made feminine and pretty by being paired with the skirt, rather than jeans. Instead of my usual boots that work more for club wear, I wore a knee high pair that were more girl. The outfit looked like someone else. It felt different. I even moved differently in it. Something about the clinging of the skirt and the feel of the hose against my thighs just let me know it wasn’t the day before when I was still on a downward mood because the current book I’m writing, Bullet, had taken a dark turn. I spent the day being very aware of the fabric of the skirt, the sweater felt softer next to my skin. I hadn’t worn these boots in months. Everything yesterday made me have to be aware from my skin out that it was a different day, and thus a different mood was made possible. I didn’t realize how much it helped my mood until I got dressed this morning.

I wore the only “business” skirt I owned yesterday. It was nice enough to be a date skirt. Jon, my husband, liked it a lot. But my other skirts are club or fetish skirts. I actually was going to try and wear one today, but once I started trying to put garters on for stockings it just seemed too complicated for two days in a row. So screw it, I put on my usual straight, fitted jeans, that tuck into New Rock boots, and a t-shirt that would get you sent home from almost any school in this country. The moment I was dressed, I felt down again. I have a very good friend who is a policeman, and is no longer active duty Marine. (I would say former Marine, but there’s no such thing. Once a Marine, always a Marine.) He told me that putting on his uniform as a cop put him in the mindset he needed to do his job. That’s part of what a uniform does, it helps you know that you’re working, and a certain attitude that needs to go with the job. What I’m wearing today is my uniform. I hadn’t realized that, but as I put on each piece of it, I felt that attitude coming over me. That kick-ass, smart-alec, everything is out to get me, and danger is around every corner mindset. It’s Anita’s mindset, and once upon a time, and some days still, I need help getting into her head space and the current book, but what’s happened with Bullet, and other books as well, is that I’ve gone too far into the head space.

When I step away from the desk I need to have the book percolating in the back of my head, but I do not need to carry Anita’s sorrow with me. I mourn when my imaginary friends are hurt, or worse, but I do not need to carry grief equivalent to the loss of a real, flesh and blood, friend in my head and in my heart twenty-four hours a day. Doing that means I never really rest, I never really step out of the darkness. I need to rest, I need to leave some of the darkness at the computer and not carry it all like some evil back pack that I never get to take off, or put down.

I dressed today and it felt like I was putting on armor. To guard me against the grief, the day, the people, and I was instantly in that mindset that everyone is a potential danger, that yellow alert that sometimes you need on certain jobs like police or soldiers. I am neither of these things in real life, I only pretend on paper. I do my research and try to make it as real as possible, but in the end I just play an executioner and U.S. Marshal on paper.

Several people on-line suggested I do fetish wear, because I did say that I had more skirts of that flavor than business. But fetish wear, at least the way I do it, is not soft and feminine. It’s leather and pretty aggressive. It’s again, Anita’s mindset. One person said wear it so Anita can get a hug from Jean-Claude, but fetish leather isn’t about hugs, its about sex, and a very specific mindset for sex. A mindset that is a little rougher, more aggressive. What I needed yesterday, and still apparently need today, is something softer. Anita is having a hard book, and thus so am I. I put a lot of myself on the page and I’m willing to bleed with my characters, but when I stepped away from the computer yesterday the outfit helped me almost instantly be out of the darkness. I needed that reminder that I just play this part in books, so I don’t have to carry it with me everywhere.

I was able to be sad with Anita yesterday, but when I got up and went elsewhere the gloom stayed at the desk, with the book. In the past I’ve dressed to help get me into scenes. I’ve worn lingerie, or fetish wear, when I’ve had trouble with certain scenes. I’ve put on the holster and worn the gun while I work. I’ve spent a lifetime learning how to get closer to my characters, but for the first time I realized that maybe the same techniques could be used to give me a little more distance from the most painful parts. I’ll cry at the computer, but when I step away, I need not to weep through my day, or be on yellow alert all day, all night, because I left Anita in a scary place in the book.

Today in my “uniform” I came to my office reluctant, dreading the next scene, so invested emotionally that I’m having trouble moving forward, or wanting to. For the first time since the first book the promise I made to Anita that no one she cared for would get seriously hurt, or worse, has been broken. It was time, somehow. But now I’m scared. I’m afraid that it won’t be the last loss this book, and it makes me not want to write it. The person we lost was not a loss that would destroy us, but the person currently in jeopardy on the page is, and now I no longer know that he will be safe. I don’t know how bad this is going to get, and neither Anita, nor I, want to see that. We’re afraid. Even writing this blog is procrastinating, because I don’t want to turn to the other computer and see where this scene goes. One death makes the world less sure, makes me less certain that there won’t be more. I finally realize that part of my problem for awhile now has been that my emotional boundaries with my real and my imaginary have blurred too much. I need to remember who I am emotionally a little bit more. If dressing a little softer, will do that, then skirts & dresses aren’t the worst thing in the world.

 

To be left in Suspense, or Not? You Decide.

Just wanted to let everyone know that I slept well last night. No bad dreams, in fact, no dreams at all that I remember. After last night’s trauma that suited me just fine. I woke up refreshed and feeling much better, though since all my 11 pages were Anita holding her sweetie’s hand in the hospital it was still traumatic, or at least hard.

Here’s a question, guys. I got very emotional writing the scene where we had someone dies in the book and I had to go to some hard places to find the emotion to write the scene, so I posted and talked about it without thinking through how to handle it after wards. Twitter is especially bad for that, so easy, so quick, and then its out there. I told you Anita lost someone she cared about, but not who. I don’t want to give away what amounts to a rather big surprise for the June book, Bullet. But I also have sympathy with those who are fretting about who has died. I also am finding it difficult to blog and tweet as freely because I have to think if I want to mention who is in the scene with Anita. If I mention someone then you know that’s not who died.

Here’s the question. Do you guys just want me to talk about the characters as I would have before I spilled the trauma, by that I mean mention who’s in a scene with Anita if I would have mentioned it before I told you someone died? Or do you prefer that I withhold all names and leave it totally in suspense? I will listen to majority vote, but I will decide what eventually feels right. I’m still a little shell shocked from all of it, so not sure how I feel. It didn’t help matters to learn that one of my favorite authors, Robert B. Parker, died today. He created the Spenser series which is the literary father of Anita on the mystery side of her family. So not only have we lost Mr. Parker, but his characters, including, Spenser are no more. I find that thought very sad. So, from fictional death to real death, and other drama that doesn’t need to be mentioned here, I’m just not sure how to handle the fictional part.