New Blog – New York and the Pursuit of Happiness

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Where did you spend this 13th anniversary of 9/11? Jonathon and I spent it in New York, the Big Apple, that happening town. We had our fiancĂ©, Genevieve, with us, as well, so the romance was high in between the high powered business meetings. The meetings went very well, not sure how much else I can share, or would be appropriate to share here, so I’ll leave it at that. I’m not trying to tease, just honestly bad at judging such things. But in between those creative and productive meetings, we took time to enjoy the City that Never Sleeps. Considering the great food we got at odd hours, that may even be true. If you like great food, and Italian in particular try Villagio, 40 Central Park south. We ate there twice and everything from wine to desert was fabulous. They also had wonderful staff that made you feel welcome, even when the three of us stayed late and closed the place down the second night. Thanks to all the staff there that helped make our first New York trip as a “couple” even more special. Hopefully next trip we’ll have Genevieve’s husband, Spike, with us and our fourple will be complete.

When we realized we would be in New York on the actual day of 9/11 we tried to think how to commemorate it. Thanks to the wonderful, and Tony award winning, James Monroe Iglehart, who is amazing as the Genie in Aladdin, we decided to see the show. He is beyond brilliant as the Genie, seriously it’s a performance you really owe it to yourself to try and see. The rest of the cast is great, too. The staging was complicated and they made it look effortless. The choreography was fun and innovative, and then there’s the costumes! I have never seen so many quick changes on stage, and all done so fast and smoothly that it took us a few minutes to go, “Hey, that dancer was on just seconds ago in a different costume. How’d they do that?” Thanks to James inviting us back stage, and the charming and talented stage manager, Sarah, we had some of our questions answered. Far from taking away from the magic, knowing the technical details made it all the more amazing. Since I’m claustrophobic there were a few entrances and exits that James and some of the other cast members do that I would have had trouble doing, but they made it all look easy. I haven’t seen the other Tony award winning shows, but if there is better staging, choreography, and costumes on Broadway right now, I’ll have to see it to believe it.
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It was all great fun, but we chose to attend Aladdin on 9/11 because that was the only thing that had ever made Broadway go dark. Not two world wars, not the Great Depression, nor all the “wars” since have darkened The Great White Way, until that awful moment YEARS AGO. So, to commemorate that anniversary, and to celebrate that we are all still here, our country still stands, and that Broadway keeps doing one of the things that America excels at, entertaining, we wanted to see a Broadway musical on 9/11/14.

Life, liberty, and the pursuit of happiness, are the three inalienable rights listed in the Untied States Declaration of Independence. It doesn’t guarantee you’ll be happy, just that all people should have a chance to try for happiness, it’s up to the individual to catch it for themselves. Well, Jonathon, Genevieve, and I chased and caught it in New York this week. I hope you and yours were able to catch some happiness, too

New Blog – Live reading of the next Anita Blake novel

Here I am reading the very beginning of the next Anita Blake novel, Jason. It’s due to hit the shelves December 2, 2014. It will be the first original paperback since, Micah. Jason will also have the first chapters of the next original hardback Anita Blake novel. I have done my best for those of you who keep telling me you can’t stand to wait for more adventures from Anita and the gang.

After the reading, I took questions from the audience at DragonCon, where this was filmed, but I also did something new. I answered the top five questions from my FaceBook page. Thanks to everyone who participated. It went so well, that Media Minion Jess may solicit questions again in the future. I’m hoping with her on board we can do more fun things on line where you can participate more.

Speaking of your participation, I make an announcement in the videos. We’ll be making a more formal announcement soon. Let us know if you guys enjoy the videos. The more positive feedback we get, the more likely I am to do more videos for my YouTube channel.

Laurell’s 2014 DragonCon Panel

New Blog – The Next two Anita Blake novels & questions answered at DragonCon

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DragonCon is in Atlanta this Labor Day weekend, as usual. Also, as usual, I’m going to be there on panels, doing signings, and enjoying the con.

My first panel is: An Hour With Laurell K. Hamilton
Time: Fri 02:30 pm Location: Augusta Ballroom – Westin (Length: 1)
Description: Audience Q&A with the bestselling author of the Anita Blake and Merry Gentry series

A Laurell and a mic panel, as my husband, Jon, calls it, where I talk to the audience, to you!, and answer questions in person, live, no rehearsal possible, that’s why they call it improv. I will be answering your questions straight from the audience, plus the five most liked questions from my FaceBook page, (Visit the page if you want in on the fun.) but this Friday there is bonus content! I will be doing something in public that I haven’t done in at least five years. I will be reading from the next Anita Blake novel. The picture included with this blog gives you a hint what the new book is about. Okay, maybe more than a hint, because the title is, Jason, and it will be the first original paperback for me since, Micah back in 2006. Just as that book featured the title character, Micah, so this one does the same for Jason. He is a serious fan favorite, and one of mine, too. He’s always fun to write and I’ve loved watching him grow as a character, and a person. I’ll actually be reading from the page proofs of the book, because this one is hot off the press, as they used to say. Then I’ll answer your questions about it, and other things. I will also be announcing something that I really, truly haven’t done before, and yes, that is a longer list than you’d think. *laughs* My publisher has come up with a way that you, the fans, can be more included in part of the process for the next Anita Blake novel. No, not the Jason novel, but the Anita Blake novel after Jason. How cool is that? How can you be more included? Come to the panel on Friday and I’ll tell all.

We know that not all of you can be at DragonCon so we are going to try and video the panel, but we can’t promise that it will happen. We need the right equipment and DragonCon telling us it’s okay for us to film the panel and then post it on line. We’re waiting to hear back now. If we can we’ll post it, so that all of you can see it later, but for those who can be there on Friday, you get to see it all live.

New Blog – Did Technology Kill the Muse?

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The picture with this blog is from our recent vacation. Look closely and you’ll see the hummingbird hovering near my hands. The bird was so enamored of the flowers that it brushed my hands and wrists in it’s boldness. Jon and I took our daughter, Trinity, and my sister, Pilar on vacation. It was a glorious trip, and I’ll blog about it eventually, but tonight I want to introduce you to Jess, my new media minion. The job title came out of some brainstorming and was mostly her idea, which says something about how fun she’s going to be on the job. But why do I need a media minion, at all?

One of the most valuable thing any writer has is their muse. Contrary to the television show, “Castle”, most writers don’t have flesh and blood muses. When I say, muse, I mean the creative spark, that part of us that sees the real world and translates it into a fiction. The care and feeding of an artist’s muse means different things to different people, because the “muse” is as variable as the writers themselves. What is happy activity that will send one writer to their keyboard eager to create, may drain another and leave them empty of words, ideas, or just stopped dead in the water. Some writers are extroverts and love people and activity. Some writers love work in hotel rooms, or on trains, and some need the same room, the same desk, and the same everything day in and day out. Some writers listen to music, others need dead silence, and sometimes those needs change from book to book. Charles Dickens supposedly served drinks at his parties with one hand and wrote with the other. That level of activity while I tried to create would have driven me mad, but Dickens & his muse must have thrived on it. I need a certain amount of quiet time to stare into space, and let myself think. I knew too much in person socialization stole that solitude, but what I’m beginning to wonder is does electronic socialization do the same thing?

I love interacting with all of you online, but even happy interactions may be messing with the alone time I need in my head. I need to be thinking about the current book I’m writing, but I often find myself thinking, “That would make a great Facebook post,” or “Hmm . . . what should I blog about next?” or “How do I get that down to a 140 characters for Twitter?” I’m beginning to wonder if my subconscious is being sidetracked from creating stories so that it can manage my social media. I remembered on our vacation that getting out of the house, and seeing new things can feed my muse and refresh my subconscious, but talking about it online as soon as I have an experience maybe sapping the “magic” out of an event for me as a writer. It’s almost as if writing it online takes the impetus away from me wanting to translate things into fiction.

Now my real life is not a one to one translation to my fiction, but the experiences I had on vacation fed parts of me that had been starving for awhile. I can’t explain it precisely, but I’ve been needing to go to the woods, the wilderness, for awhile. It feeds something in me as a person, and that part gives energy to my writing. But thinking about sharing that experience online, before it’s had time to sink into my subconscious and sit for awhile in the quiet, I think is hurting part of my creative process. So, I’ve decided to get off line for awhile, but I didn’t want to leave you guys hanging, so Jess’s job as a media minion was born.

I’ll still be blogging. My posts to Facebook will either be texted, or emailed, to Jess for her to post for me, but they will still be my posts. Or Jess will be posting as herself. She will also be wandering around Facebook to answer your questions and being far more social than I have time, or inclination to be in the new Facebook landscape. She’ll be running her answers by me & Jon, but I’m hoping you’ll give her a warm welcome & appreciate her input. Twitter is actually the most problematic, because I actually enjoy and understand Twitter more. I may try to stay on Twitter for awhile, but if I feel that it actually is still distracting me from my writing, then that may have to change, too.

The first novel I wrote was typed on a computer, and I’ve finally really embraced the technology. I’m typing this on my iPad, and I feel naked without my iPhone. I’ve started to enjoy it all, but I’ve become less productive as a writer as I’ve become more productive in posting on line, so time to back up and put the actual writing first, and the social posting second. I need to hike in the mountains and truly be in the moment, absorbing it and letting it sink deep into my subconscious like a rock thrown into a still pool. I need to let the ripples flow out and see what muck and mire that metaphorical “rock” stirs up. I need to do all that before I think, “I’ve got to tweet this, or Facebook this, or blog this,” I need to think of my fiction first, not my social media. Thanks for your patience while I try this little experiment. I’ll see you on Twitter, at least for awhile, and you’ll still get to read the blogs, but for the rest I’m saving it for my muse, for me, for my family, and for the new adventures to come.

Tentative DragonCon Schedule

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Title: An Hour With Laurell K. Hamilton
Description: Audience Q&A with the bestselling author of the Anita Blake and Merry Gentry series.
Time: Fri 02:30 pm Location: Augusta Ballroom – Westin (Length: 1 Hour)
(Tentative Panelists: Laurell K. Hamilton)

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Title: Autograph Sessions
Time: Fri 04:00 pm Location: International Hall South – Marriott (Length: 1 Hour)
(Tentative Panelists: David Weber, C. L. Wilson, Laurell K. Hamilton)

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Title: The Uses of Enchantment: Magic in Urban Fantasy
Description: Authors in the field discuss the various magical systems used by their characters
Time: Fri 10:00 pm Location: Augusta Ballroom – Westin (Length: 1 Hour)
(Tentative Panelists: Laura Anne Gilman, D.B. Jackson, Linda Robertson, James R. Tuck, Laurell K. Hamilton, Jim Butcher)

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Title: Autograph Sessions
Time: Sat 02:30 pm Location: International Hall South – Marriott (Length: 1 Hour)
(Tentative Panelists: Keith R.A. DeCandido, M. B. Weston, Christopher Golden, Laurell K. Hamilton)

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Title: The Hunter and the Hunted: Conflicted Protagonists in Urban Fantasy
Description: Fictional characters who save the world (or even just their friends) by dispatching evil sometimes begin to identify with their prey.
Time: Sat 05:30 pm Location: Augusta Ballroom – Westin (Length: 1 Hour)
(Tentative Panelists: Faith Hunter, James R. Tuck, Laurell K. Hamilton, Christopher Golden, Sherrilyn Kenyon, Jeanne C. Stein)

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Title: Autograph Sessions
Time: Sun 10:00 am Location: International Hall South – Marriott (Length: 1 Hour)
(Tentative Panelists: Travis Walton, Dr. Charles E. Gannon, Milton J Davis, Laurell K. Hamilton)

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Title: Fabulous Ladies of Fantasy
Description: A panel of exceptional women writers discuss developing compelling characters and exciting plots.
Time: Sun 11:30 am Location: Centennial I – Hyatt (Length: 1 Hour)
(Tentative Panelists: Chelsea Quinn Yarbro, Katherine Kurtz, Sherrilyn Kenyon, Nancy Knight, Laurell K. Hamilton, Lynn Abbey)

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Title: Monster Menagerie: Supernatural Variety in Urban Fantasy
Description: Urban Fantasy features a wide range of supernatural beings, often in the same book, and our authors discuss their diverse approaches.
Time: Sun 04:00 pm Location: Augusta Ballroom – Westin (Length: 1 Hour)
(Tentative Panelists: Christopher Golden, John G. Hartness, Kat Richardson, Laurell K. Hamilton, Linda Robertson, Jim Butcher)

New Blog – Show, don’t Tell

Writers are always being told – show, don’t tell. That’s great advice, but what the heck does it mean? It took me years to figure it out as a beginning writer, but once I did it became a filter I ran scenes through whenever my writing felt flat, or lifeless. If you’re a beginning writer thinking, great for her, but how does that help me figure it out, just be patient, because I’m going to give you some examples from the book I’m currently writing. It’s the twenty-third novel that I’ve written in my Anita Blake series, and my thirty-sixth novel counting one short story anthology, called Strange Candy. Why not tell you the title of the book I’m going to use as an example, because it’s still untitled.

Jean-Claude was first introduced in, Guilty Pleasures in 1993. One of the true challenges of being a series writer is to keep long running characters fresh for you as a writer, and for the readers. Both the ones that have been reading from the beginning and for the ones that have just discovered your books, and jumped in at the end. If you’re just starting out and haven’t got first book published, you may think, why should I care? Well, hopefully years from now you’ll be writing your twenty-something book, and then you will care, or I hope you will care as much about your characters as I do mine.

I wrote Jean-Claude’s first introduction in my current novel like this:

“Jean-Claude sat behind that huge desk and that gleaming display of matrimonial treasure, but none of it was as pretty as he was, and I didn’t think it was just me being in love with him that made me think that. He had been a ladies’ man for more centuries than our country had been in existence. He still occasionally appeared on stage at Guilty Pleasures, the strip club he owned, and had managed for years. On nights when he was billed as the star attraction we couldn’t get all the customers in the club, even if we were willing to make the fire marshal unhappy.”

It’s not a bad start, but it tells you Jean-Claude is attractive and sexy enough to be a stripper and a seducer of women, but that doesn’t tell you anything about what he really looks like. People have very different ideas of what attractive means, so the reader may fill in the blanks with the a totally different looking character from the above, because I’ve told them he’s handsome, even sexy, but I haven’t shown it, I haven’t proved it to the reader, and that’s really what showing vs. telling is, proving to the reader that the character is handsome, sexy, or whatever. You have to make your reader, see, feel, taste, touch, believe.

So I rewrote the scene:

“Jean-Claude sat behind that huge desk and that gleaming display of matrimonial treasure, but none of it was as pretty as him. His black hair curled softly past his shoulders mingling so perfectly with the velvet of his jacket that it was hard to tell where one ended and the other began. The shirt that peeked from the jacket was scarlet, a red that looked fabulous with the hair and that unearthly white skin of his, a perfect whiteness that no living skin could rival. he was very pale tonight, no blush of color to his face at all which meant he hadn’t fed yet. There was a time I couldn’t have told, but I’d been studying his face and moods for years. Once I had refused to be food for any vampire, even him. Now the thought that he hadn’t fed, and that it could be part of our foreplay tightened things low in my body so hard and sudden that I had to reach for the edge of the desk to steady myself, and I hadn’t even gotten to his face.

I raised up to finally look into that face and that near perfect curve of cheek, the kissable lips, and finally the coup de grace of his eyes. They looked almost black in the overhead lights, but some gleam always seemed to show that swimming blue like deep sea water where the monsters swim, and there are wonders to behold. His dark eyelashes were actually double-rowed on top so they looked like he’d used mascara, but he never had to, and then the perfect arch of black eyebrow . . . he looked too beautiful, too perfect, like a work of art instead of a person. How did this man love me? But the smile on his face, the light in his eyes, said plainly that he saw something wonderful when he looked at me, too. I didn’t know whether to be flattered, amazed, or ask why me? Why not a thousand more traditionally beautiful women? he could have had movie stars, or models, but he’d chosen me. Me, too short, curvy even with my gym workout, and scarred from my job, still struggling to heal all the issues life had saddled me with, and yet, he smiled at me, held his hand out to me. I went around the desk to take that offered hand, but I didn’t feel like the princess to his prince. I felt like the clumsy peasant to his very, regal King. ”

Do you see what happens when you show, rather than tell? The above didn’t just show that Jean-Claude is gorgeous, but it also revealed Anita’s character and inner world, too. It also says something about Jean-Claude that wouldn’t have been on the paper if I hadn’t shown his appearance through Anita’s eyes, and let her show her feelings about him and herself.

Telling is literally telling the reader what they should believe, but showing let’s them see it, feel it, experience it for themselves much more viscerally. Telling skims the surface like a bare brush of lips, the way your aunt kissed you when you were a kid. Showing digs deeper, it’s a lover’s kiss, that presses so hard against your mouth that you have to open our lips to them, and let their tongue slide inside you. Telling is having to kiss someone; showing is wanting to kiss someone.

I don’t want to tell you that Jean-Claude is hot, and Anita is uncertain of her own beauty, I want to show you.

Show, don’t tell.

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Jean-Claude by Brett Booth from the comic adaptation of Guilty Pleasures

New Blog – Of Typewriters, Computers, & Bitching

First, my website at https://www.laurellkhamilton.com is finally updated and a bit more user friendly for us and all of you. The Anita Blake books, and the Merry Gentry books are now in order of publication, for all who have asked. Second, I’ve answered some of the questions that were prompted by my latest blog.

A lot of people have been bitching that I do page count, rather than word count on my daily writing quota. First, why should you even care one way or the other? Second, I think everyone forgets that I’m 51, which means when I wrote my first short stories at age 17 it was on a manual typewriter. There was no word-processor to show me my word count at the bottom of my page. If I wanted a word count I had to do it the old fashioned way by counting average lines per page and then estimating words/characters per line, and then adding your pages in, and by the end of a writing session I wasn’t up to the math. I did it before I sent a story out to a magazine and put the word count at the top of the story as was professional format at the time, but my daily writing quota was pages, not words, because the math seemed laborious after my brain was fried from actually writing, or I’d had a really good writing session and my brian was euphoric with endorphins and I was too happy to do math. Math at the end of a day of wonderful creativity seemed like punishment to me, and still does. (Sorry all you math lovers, but it’s not my cup of happiness. )

But that’s why I do page count, instead of word count for my daily writing quota. Most writers form habits early on and if it works most writers, and artists, are loath to change it. I think we’re all a little superstitious as if changing one small thing will somehow make the magic go away. I know it sounds silly, but if it ain’t broke, don’t fix it, and setting myself 4 pages a day works better for me than saying I owe myself four thousand words before I can take a break, or quit for the day.

And onto my typing speed – I posted my typing speed in a bid to help some of the beginning writers feel better about not hitting my page count on my best days when I can do 20-40 pages in 6-8 hours. That’s counting only the pages I kept, not the ones that didn’t work. The pages that are completely unsatisfactory as I type are usually just toggled lower down on the page so that all my rough drafts have this enormous garbage section at the end of manuscript file of writing ideas, plot twists, or character breakthroughs that just didn’t work. I don’t delete it, because sometimes I find the scene really did work and I need it. If I deleted the “garbage” at the end of the day I’d have to rewrite the scene. (This was learned the hard way early on when I switched from typewriter to computer. It’s too damn easy to delete on a computer screen, at least with typed pages the pages are still in your office to dig through.) I wouldn’t type 200 words a minute on a standard typing test, because that’s not me writing my own fresh words. I have no idea how fast I type when copying, or taking dictation, because why would I bother copying someone else’s words, or take dictation from anyone, but my own imagination? But using my own writing as the speed test on the online tests it did come out to 200 wpm, and that is subtracting for mistakes. I spent years with computer buffers unable to keep up with my typing speed. The blinking cursor would sit at the end of the line beeping and complaining at me, and I would have to wait until the text on screen spilled out what I’d just typed, and then I could continue on, until I out typed the buffer again, and again, and . . . I love how fast computers are now, and that they don’t complain with noise that I’m typing faster than they prefer. (The picture attached to this blog is me today with my very first typewriter. We found it as we sorted through things recently. I’d totally forgotten where it was. Thanks to my Aunt Juanita, who loaned me the machine when I was in high school. Without her kindness I couldn’t have sent stories in for publication. I owe her a typewriter, but I’m keeping this one out of sentiment. )

And, yes, I actually have had writers with long standing and lovely careers of their own ask me how I produce so much in one writing session. (Writers are like all career people, we talk to each other. We share tricks of the trade, and talk shop, even those of us who are all bestsellers.) Most writers find that 2-4 hours is the maximum usable time for them to be writing, or trying to write. If they stay longer, it gains them nothing and makes it even harder for them to write the next day. On some glorious muse-driven days I can get 10-20 pages done in 2 hours, but usually it takes me 4-6 hours to do 4-8 pages. I’ve timed it and the first two hours of my writing is usually not very productive for pages to be kept at the end of the day, which are the only pages that go into my daily page count. I actually get the lion’s share of my pages done in the last 2-3 hours of the 5-8 hour session. I’ve tried to skip that first unfruitful 2 hours, by shortening my writing sessions to only 4 hours, but my process needs that 2 hour window of noodling at the keyboard, staring off into space, and basically banging my head against the computer, before something breaks free and the words flow. I hate that my writing process works this way, because it means that if I can’t get a huge block of uninterrupted time to write that my productivity suffers, a lot.

Now, once I hit the groove of a book then things change. Sitting down at the computer means words come immediately. The words flow and it’s all I can do to type fast enough to keep up with my thoughts, but that doesn’t happen until between 150-250 pages into a book. For the those first pages its more brute force than muse-driven, but I’ve learned without that force at the beginning of a novel I’m never going to get to the happy, dancing muses at the end.

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New Blog – My Page Count Sucked Today

Some writers work for a certain number of hours, or an hour, and when the time is up they’re done for the day regardless of how much, or how little, they’ve written. Others do word count, a thousand words a day, or four thousand, and when they hit that, they’re done. I’ve always done page count, and I work until I’m done, or until I’m too exhausted to keep going. I post my page count for the day on line, a lot. Okay, I post it on Twitter a lot. My minimum page count goal is usually eight pages a day, but sometimes I’ll lower it to four pages, because some books are harder to write than others. I routinely do over ten pages a day when I’m deep into a book. When I’m really in the zone I can do twenty-plus pages a day for a week, or close to it. I have a lot of beginning writers, and even seasoned writers chastise themselves, because they can’t rival my page count per day. First, I type over two hundred words a minute, so that helps, and no, I have no idea how I type that fast, it’s a gift. But since a lot of the writers on line seem to get upset, because they can’t do it, I wanted to be sure and post today’s page count. Two pages, yeah you read that correctly, I have two pages for the entire day.

When I’m in the zone I can get twenty pages in two hours, but today it took me about eight hours to get those two pages. They’re good pages, strong pages, but it was a very frustrating day. I worked in the morning for no pages, and then went back after lunch, because I knew I had gym in the late afternoon, so I wanted to work until I had to leave for that. That’s how I got my two pages, by going back for a second session after a completely fruitless one that morning. Sometimes when the morning is completely dry like that I’ll give myself the rest of the day off, because the creative tank is empty and needs to fill up by doing something else, or I’m not sure what comes next in the book, or I know what’s next but don’t know exactly how to get from point A to point B. At times like that a few hours, or even a day away from the book can let my imagination work, and when I set down again I’ll feel refreshed, I’ll know what comes next, or I’ll know how to write the next part. But sometimes I just have to keep slogging away, until the creative log jam bursts and the waters come rushing through, or in this case trickling through. If I had given up and not gone back after lunch I wouldn’t have the two pages which lets me know exactly what comes next, and precisely how to write the next scene. I don’t feel a single hour at my keyboard was wasted today, because I know I needed every frustrating minute to finally break through what was clogging up the creative pipeline. Would I have rather had a day of twenty pages flowing like water from the proverbial cleft rock? Hell, yes, every writer would, but I’ve learned that the “bang your head against the problem” days are valuable to me as an artist. I don’t know why they’re necessary, but for me they seem to be part of my process especially early in a book. Tomorrow should be easier, because I planted the seeds of success today with those two hard won pages.

I’ve written and published over thirty novels, and I still have days when the words do not flow, the pages do not add up to much, so for all of you writers out there that have been watching me post my page count on line and despairing, I just wanted you to know that not every day is a home run, not even for me. Sometimes I’m just happy to get a runner on first base, and still be at bat. If you got any writing done today, give yourself a point, whether it was a few sentences, or paragraphs, or pages, if you sat your butt down and actually wrote – congratulations! Because writers, write, so you write your bad self into the next paragraph, or chapter, or short story tomorrow and think to yourself. Laurell K. Hamilton only did two pages yesterday, I can do two pages. You can, you know, you really can. Happy hunting!

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New Blog – images from the weekend

Sasquatch enjoying the summer weather with me this lovely weekend.

Jon and I had a couples’ day out Saturday at Asymmetrical Solutions. We took their, Basics of Tactical Shooting. Eight hours in the Missouri heat was grueling, but worth it. We learned an amazing amount. The picture is my Springfield Range Officer getting it’s well deserved & needed cleaning.

We managed to eat healthy this weekend, even fixed our lunch ahead for the tactical class. Roast turkey and a salad of heirloom tomatoes, carrots, colored bell peppers, and fresh leaf lettuce.

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Choosing Character Names, part 2

Names are where characters begin to take shape for me, and its always been that way. I bought my first baby name book when I was fourteen, the same year that I decided that maybe, just maybe I could be a writer. I remember the bookstore clerk that checked me out glancing down at my stomach, and then quickly up at my face. I realized that she thought I was pregnant and looking for names for a real baby. I didn’t try to explain that I needed the book to help me name fictional characters. I was painfully shy, and had finished one story in my entire life. How was I going to say out loud to an adult that I was spending money on a book to help me write stories that I hoped to sell to real magazines, and earn real money, and maybe eventually make a living at this. I couldn’t explain, so I said nothing and let her think what she liked. I still have that first baby name book, Name Your Baby by Lareina Rule, and I still reference it constantly when creating new characters. The cover has actually come apart, but I saved it, kept it with the book. The pages are starting to yellow, but I still love this book. From the very beginning of my career when I knew the name, I knew the character. Sometimes the name comes first and a character just magically forms around it. Sometimes I have a character in mind, but it’s not fully formed so I’ll search through all my baby name books and makes lists of names. That’s how I named, Micah, Nathaniel, Doyle, just to name three. Sometimes characters choose their names without me looking anything up, like Anita and Jean-Claude. Anita chose her name and I knew enough to know it was originally a Spanish name, so she chose half her ethnicity without me deciding anything consciously. Though since all the people I grew up with that were Hispanic came from families that were originally from Mexico that’s where Anita’s mother’s family had to be from, because it was more familiar to me. Jean-Claude on the other hand, I wanted to be Spanish, because no one had done a master vampire from Spain as a main character. At that time I spoke and read Spanish. I wasn’t fluent, but I could get by. (Please, do not speak Spanish to me now, I’m so rusty it’s embarrassing.) But he insisted he was French, which I didn’t speak, couldn’t read, and my accent is still horrible according to my French translator. I tried so hard to force him to be what I envisioned and the character just didn’t work at all. Finally, in desperation I let him be French and suddenly he chose his name, his personality, and stepped on stage almost fully formed and just, well, Jean-Claude. I’ve been informed since then that it is not an elegant name in France, and not sexy enough, but he came with the name, this one I did not choose. Of course, it’s not the name that he was born with in France, but one that he acquired after he became a vampire, but that’s a story for another day.

Two other name books stay in the reference drawer with Rule’s book. Beyond Jennifer and Jason, by Linda Rozenkrantz and Pamela Redmond Satran. I found the book by accident in the grocery store over ten years ago. It has lists for boyish names, ambisexual names, handsome names, pretty names, names for standing out, names for fitting in, macho names etc . . . I don’t agree with every name on every list, but I find them all useful in their way. Multicultural Baby Names by M. J. Abadie is rare find, because it’s literally what the title promises, names that aren’t just white Anglo-saxon, Northern European, or German, which is the predominance of most English baby name books. There are chapters on Arabic names, Japanese, Chinese, Korean, Spanish, African, Hindu, Native American, and more. I try very hard not to have my fictional characters seem like they stepped out of a “Dick and Jane” kid’s book where everyone is middle to upper class and living in a white bread America that never existed for most of us outside of sitcoms from the 1950s and 60s.

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