Monday was a heck of a week…

Monday began with a dawn phone-call from Jonathon’s dad telling us that there’d be a death in the family. Jon’s aunt had been sick for a very long time so it wasn’t a complete surprise, but still the final call always seems to catch you off guard. We got up and Jon started making phone calls to spread the news, and then the next bad news.

 

One of our good friends, one of my closest friends had been in a car accident with her husband and two of their youngest grandchildren. They were all alive, which was great news, but they were all in the hospital, so we rushed to find out how hurt everyone was. Monday’s supposed to be tough, but this was ridiculous.

 

The grandchildren had broken legs, but are both home now. My friend and her husband are not so lucky. He’s got a lot of vertebra damage in his back, but the doctor thinks it will heal with a lot of rehab, and no need for surgery. That’s great news, right? A lot of relief, because when we first heard the news we were not sure the outcome would be this hopeful. My friend seemed better everyday. Yesterday she seemed like her old self even with the pain of her injuries, especially the broken ribs. We talked books, writing, history, and science, the usual stuff we’ve talked about for thirty years of friendship. I was going to go see her after FMA (Filipino Martial Arts) and gym this evening. My instructor handed me my certificate for third level tonight. I was looking forward to getting a frame and putting it up on my, love me wall. I used to call it an atta boy wall, but was informed that wasn’t PC, so fine it’s my love me wall. I met Jon at gym for a workout and while there found out that my friend had a fever. The doctor was worried that she has pneumonia. My friend has the worst case of asthma that I’ve ever personally seen in action. She is not a person who needs cracked ribs with a side of pneumonia. No one needs it, but someone with compromised lung capacity really doesn’t need it. Yes, I’m worried.

 

It started to snow big, fluffy flakes while we were at gym, but had stopped by the time we were finished. I hit the grocery store after gym. Jon went for home. Our Wednesday was going as much as planned as we could make it considering the weather forecast was predicting another snow apocalypse. I hate them using the term for a heavy snow fall, or even a snow storm. Snow apocalypse should be saved for when the super volcano blows and sends us into a second ice age. The grocery store was the usual mad house of a snow emergency, so everything took longer. I was still hoping the storm would miss us, since the funeral for Jon’s aunt is tomorrow early.

 

I was still debating on if I could swing by the hospital, or should I wait if they find out whether the pneumonia is the contagious variety, or if she would even be up for visitors. When I had bronchitis with the tiniest edge of pneumonia a few years back I hadn’t been much for company. It started to sleet as I loaded the groceries into the car. I decided to run the food home before I made the finally decision on the hospital run for the night.

 

I’ve just taken the dogs out and we’ve already got an inch to an inch and a half of snow. It’s hard to tell just how much has fallen because the flakes are still huge and fluffy. At least the ice has stopped falling with it. I’m staying home tonight and hospital visits will depend on how much of the downy flakes fall tonight. Did I mention that the funeral is early tomorrow morning, or that it’s at least an hour and a half south of us on clear roads without traffic? Further south in our state is supposed to get hit even harder than we are here in St. Louis.

 

It’s only Wednesday, can we just call this week over and declare a four day weekend, please?

Life, Death, and Fiction

I’ve been having fits with the current book I’m writing. I’m over 500 pages in, over 200,000 words, and usually by this point in a book I’m writing as fast as I can, just to keep up with myself, but not this time. I’ll get a productive day, and then the next day it’s like all my momentum is gone. It’s like throwing a punch at the heavy bag without rotating your hips. You’re still going through the motions, but you’re leaving most of your energy somewhere else. Today I figured out what was wrong, someone is going to die.
I’m a writer of mysteries, police thrillers, with relationship growth and a huge dose of the supernatural thrown in, so there are usually dead bodies and a villain to stop. I like my fiction neater than real life, so the good guys usually triumph and the bad guys get punished, sometimes they get punished to death, which works for me in fiction. Like I said, it’s neater and more black and white than real life, at least in some areas. I try to make my vampires, zombies, and ghouls as realistic as possible, so there are also huge gray areas where my characters struggle with moral dilemmas and balancing work and relationships. Crime busting can be very hard on couples, or threesomes, or fourples, or any family arrangement.
I love my world and my characters, so why is this book dragging its heels? Because I have a character on stage that is in the hospital. I know what’s wrong with him, and I’d planned on saving him, but . . . I realize now that it may not work. He had another close call a couple of books back, though anyone reading the book wouldn’t have realized it because the moment in the climatic fight scene where he might have died didn’t make it into the final draft. When push came to shove, I couldn’t do it.  
I’ve had this problem before where I’d planned on killing off a character, but we realize that I, and my main characters, would miss him. The most famous example of this to me and my fans is that I planned to kill Jean-Claude off at the end of the third book in the Anita Blake series. That’s right, the sexiest vampire on the planet, and now king of them in the United States in my world, though I didn’t see that one coming either, was supposed to die at the end of The Circus of the Damned. But when the moment came, I couldn’t do it. Anita and I would have missed him. I wanted him dead because he was taking over my series and stirring it in directions I hadn’t planned on, but I let him live. I was right on him taking my series to places I hadn’t planned on, or wanted to go. He was a very strong character with very definite Ideas about what should happen, and when, and with whom. It would be a very different series if Jean-Claude had died so early, and maybe I wouldn’t be writing the twenty-fifth book featuring him and Anita. Who knows what would have changed if I’d followed my original plan; so I’ve had this happen before, but never twice to the same character.
I knew he was slated to die at the end of a novel, and I flinched. He’s a good guy, we like him, what harm is it that he’s still alive? Well, he’s changing the game on me, not as profoundly as Jean-Claude did, but he is impacting my plans for the other characters and the world in general. If I leave this character alive, will it have as profound an effect on my series as Jean-Claude’s survival did? If so . . .do I want that? Or do I want to stay with my own over-arching plot line for the series? How much freedom do I give my characters? How much do I play god? He’s destined to die, should he get a reprieve?
I find myself regretting every time I kill a character off. I miss them. I miss writing them. I miss what the rest of their story might have been. It’s not even just major characters that I miss, even the minor-major ones, make me think, “If only . . .” I hate regrets, and unlike real life I have so many chances to undo it. I could write the death scene and then get up tomorrow and rewrite it so that he makes it. It’s one of my favorite things about writing fiction, I can always fix the mistakes tomorrow. In real life there aren’t take-backs, or do-overs, at least not for death. That’s about as final as we get in real life.
I’m going to break for lunch, but when I come back I have to decide. Does this character live, or die? Do we lose him forever? Or do we save him a second time? It’s bugging me a lot that this is the second time he’s come up on the chopping block. It must mean something to my subconscious that this same character keeps almost dying. Does it mean I’m uncomfortable with him? I was with Jean-Claude back in the day. Does it mean I don’t know what to do with him on paper? That he’s getting in the way of other characters that are staying? Maybe, maybe not? I don’t know, I really don’t. All I know for certain is that when I get back from a late lunch it’ll be go-time, and he will either live, or die.  

This is why I write

  
 I stepped into my office today with dawn like a knife slash in the east, the light seeped through like pale orange and yellow blood. The crescent moon hung shining silver in the black branches of the tallest tree, as if night and day hung poised, so that it was both at the same time. It was both beautiful and terrible, somehow. I’ve thought that the last few mornings that I’ve seen my office this early. I’ve been doing a lot of thinking about why I write this blog. Initially, it was to grow my audience, my brand, to sell more books; but I think most of what I gained in those areas has happened already. The blog probably did most of its original purpose years ago when I was trying to do one daily for a year. So, why do I write this blog? What’s it for? Honestly, I’m no longer certain, but I know one thing that hurts me as a writer in every area, and that is not writing about things. The more secrets I have to keep, the more editing of my life I do, the harder it is to write the blog (which makes a certain sense) but also makes it more difficult to write anything.  

 My personal life is very separate from my fiction and yet there is some mystical connection that, even after all this time, I don’t understand but I know that it is there, and I know when I do not honor that connection my ability to write suffers. So what haven’t I been saying publicly that’s clogging up the creative pipeline? 

 Jonathon’s mother, Mary, had cancer this year. She’s gotten a clean bill of health now, but it took chemo to get her there. If you’ve ever seen anyone go through chemo, you know it will take time to heal the effects of the cure. I got her permission to talk about her illness a while back, but it somehow seemed too personal to her to put it here, but if she’s okay with me talking about it, then why has it been something I didn’t want to talk about? 

 Jonathon buried his Aunt Sweetie just before Thanksgiving, so about two weeks ago. She helped raise him, and when he talks about her it’s more like a second mother than an aunt. She lost her battle with cancer after over twenty years and several remissions. The family is devastated and still reeling as they deal with it. I will miss her, but I don’t have the decades of connection to her that they do. She was not my sister, or my childhood hero, so my loss is seen through the patina of theirs, and my major worry is for those left behind and how they are dealing with it. Aunt Sweetie was ready to go, and her faith gave her peace, so there should be no tears, and yet there are.

 Today we will be going to another funeral for a friend’s father, who died suddenly, but his health had been poor for most of the time I’d known the family, so it seems both sudden and inevitable. Our friend is forty, which seems young for burying your father. 

 The attacks in Paris, the attacks in California, people killed, and for what? To terrify people? To terrify the world? Because that’s what terrorism is, it is literally an attempt to frighten us all, to make us insecure and unsure of our safety. It is a war that kills a few people at a time in the hopes of demoralizing the rest of us. Don’t let them win. Live your lives, be happy, and keep moving, because to do anything else gives them a victory. They haven’t won anything, don’t act as if they have. I’ll admit it’s unnerving, but be hopeful, keep faith that good triumphs in the end. Dark times come, but they do not stay, history teaches us that. 

 There have been a lot of tragedies this year, both personally and in the larger world. There’s more, there’s always more, but somehow the theme of death and loss seems a thread this year that I can’t shake. But Jonathon’s mother is going to be alright, and that is a miracle of modern medicine. There is good among the bad, wins and not just losses, but sometimes it’s hard to concentrate on the positive when so much negative keeps happening. I know I’m not the only one feeling a bit overwhelmed right now. 

 Why do I write this blog? Why do I write at all? In part, it’s to reach out to other people and say, “It’s going to be all right.” It’s a way of saying, none of us are alone. We’re in this together. I write fiction to help me make sense of the world and to share a good story, so that as you read my books you can forget the news headlines for a few hours. You can get lost in a good book, where the heroes usually triumph, the villains are punished, and the world is saved. Yes, fiction should make you think, but it should be first and foremost an escape from the mundane world. It should let you slip into a world more fantastic, and more openly magical than our own. That’s why I write my stories and novels. The blog is part explaining how I make that magic happen, and a glimpse into my own reality, so that the magic and the reality of my world brushes up against your own.  

 I am a storyteller. It is an ancient art. We used to sit in caves, huddled around the fire, listening to noises in the dark, afraid of what they might be, and someone would say, “Let me tell you a story,” and everyone would gather closer to the fire where they felt warm and safe, and they would forget the noises in the dark, listening to adventures. Now, I sit in my office and write words on a screen, that I’ll share with you soon. I’ll finish writing the blog, and continue to work on the latest novel, because you need a good story, and I need to be able to say, “Come, sit by the fire where you’ll be safe and warm, and let me share an adventure with you.”  

A Dog always Breaks your Heart, at least once

I’m sitting in the sunshine on our patio listening to our water garden sing down the stones, with our pug, Sasquatch in my lap. He’s been my office dog since he was twelve weeks old. He’s fourteen years old now, and will be fifteen this summer. He’s the oldest dog I’ve ever owned from puppy to now. We had a rescue, Jimmy, that we got at age ten, and he made it seven more years, but we never saw him when his paws were soft, and he was all uncertain of the world. Jimmy was decidedly himself when we rescued him on his last day from a kill shelter. Sasquatch was all puppy uncertainty as we let him sniff his mother good-bye and took him with us in the car.    Sas helping us on game night. 
He is an old dog now, our oldendogger. I can’t imagine waking up without him in the house, but I know it’s coming. Even now his heart beats frantically against my hand, the rhythm of it is unsteady and unfamiliar. I know his heart beat almost as much as I know my husband’s, and this is not it. We took him with us to lunch and sat outside at a table with him. The four of us took turns holding him so the others could eat. Yes, he got scraps and probably got more chicken than he normally does at a meal, but that’s okay, roast chicken and a little bit of chips won’t hurt him. He’s always been a good dog, easy going, letting us use his paws to do the YMCA song by the Village People when he was a puppy. Yes, I’m that kind of dog person. If you don’t do silly things with your dogs then we are not the same kind of dog people and you may want to skip the rest of this essay, because much sentimentality may ensue.  
I wrote the above on a day when we thought Sasquatch would pass on his own, in his own time, but it turned out to be an upper respiratory infection and antibiotics helped him get better. Every day after that has been a gift, but today is the last day. Today will be Sas’s last day. He’s stopped eating, even his favorite treats cannot tempt him. Any of you that have ever owned a pug know that a pug that will not eat is a very sick pug indeed. Pugs will eat until their stomachs explode, no joke, but Sas is only taking water, lots of water. He continues to lose weight, and for the first time ever he has a wasp waist, stylish if you’re a Weirimer, but pugs are meant to be square, not round, not fat, but blocky and solid. When I pick him up now he is too light, I can feel his bones and tendons under my hands, against my arms. He is wasting away and we cannot save him.

  Our puggy boy.
We knew something was wrong, but finally got tests back a few weeks ago that is was cancer. If he’d been a younger dog we would have risked the surgery to remove his spleen and take a bigger sample of his liver, but the chances of him surviving the anthestia was very low, so we chose to treat the symptoms, but not actively treat the cancer. He’d already been losing some control of his bowels, but there are doggy diapers, not sure how he felt about his curly pug tail sticking out of the ridiculous things, but he took it like he takes most things, patiently, good naturedly, trusting that his humans know what they’re doing. I hope we do. I know we try to be worthy of the level of trust he places in us. 
His back legs have been giving him trouble for awhile, but now they are going out from under him. He doesn’t so much lay down as collapse. He woke my husband, Jon, and I up about every hour from 1:00 AM this morning. Jon got up twice, and so did I. The first time I came back to bed I put Sasquatch up on the bed, which I knew was a bad idea, but I wanted him to sleep in the bed one more time, he loves it so. By the time I could no longer sleep about 5:30 he was deeply asleep on the corner of the bed. We had two of our younger dogs with us, too. Mordor and Keiko, both Japanese chins, good naturedly went out every time we took Sas out, but this time they were solidly asleep, too, so I left them with Jon and went downstairs to start tea, breakfast, the day.
Unless the veterinarian tells us some miracle later today, I know this will be Sas’s last day, because I called and made the appointment when I got up with him about 4:00 or 5:00 this morning. His vet isn’t on duty today, but she won’t be in until Friday, and it’s Thursday, we can’t make him suffer for another day just for a different doctor to help us, it wouldn’t be fair to him.  
Jon texted me about thirty minutes later that Sas had thrown up. He’s been doing that for a few days now. By the time I came upstairs with new paper towels he’d also lost control of his bowels on the bed. Why wasn’t he in a doggy diaper? Because I knew this was his last time to sleep on the bed with us and somehow I just wanted him to be as comfortable as possible, and the diapers are for our benefit, not his, so I didn’t put it on him. I started cleaning up the blanket and Sas, Jon took Keiko and Mordor downstairs, and then came back up to help strip the bed. The bed clothes are in the washer now. Sas is asleep at my feet in my office with me, which is one of his favoritest places in the world. He’s always loved coming to work and has spent many a dawn and late night at my side while I wrote. I’ve already carried him to his favorite dog bed in the family room, and put him in his favorite bed here, but he’s chosen to lay on the floor which he almost never does. I even put a dog bed under my desk so he could use it, but he chose the floor at my feet. Keiko is in the bed, because chins are just as comfort loving as pugs. Mordor stayed in the kitchen with Jon which is unusual, because both the chins love to come to the office. Heck, the two big dogs are learning to love it, too, and there are days when I have all five dogs curled around me as I write. The two big dogs are with Genevieve and Spike in another bedroom. We all discussed it, and there’s no need for all of us to have this kind of disrupted night, but more than that we still don’t have a bed big enough for four adults and five dogs, and last night was about Sasquatch. He needed his corner of the bed, and just the little dogs, because sometimes the new bigger dogs are just too physical for him now.  

  Sas helping me write in better days.
Pugs are very stoic dogs, they don’t show pain much, so we have no way to be certain how much pain Sas is in, but he’s started staring into space in that way that some animals have when something hurts as if the pain is something they can see off in the distance, or maybe they see the end of the pain, I don’t know. This morning we carried him downstairs every time, because the stairs are beyond him now. For his last morning in the office with me I carried him up the stairs which I hadn’t had to do since he was a very little puppy and couldn’t quite manage them safely on his own. Now, as our oldendogger, he can’t manage them safely again. 
Our daughter, Trinity, is home from college, so she’ll get a chance to say, good-bye. She got to dog sit Sasquatch this long weekend past while the four of us went on a retreat. It gave her some serious quality time with Sas. The other four dogs went to the puppy spa, but we wanted Sas to be at home with familiar things and people.  
I’ll sit on the couch with him later today in his favorite spot which is a combination of mom’s lap and the corner of the couch near the arm. He’s on his third couch for this lifetime and he always chooses the same spot no matter if it’s the original green couch, or the red couch, or the new gray one. They all have arms and a spot where he can tuck himself in, so he does, with, or without a lap to snuggle into, though Trin informed me that he found her lap a suitable substitute, so maybe it’s not mom’s lap, but just whoever sits in his spot. Maybe to Sasquatch it’s never been him sharing my spot on the couch, but him sharing his spot with me, or whichever of his people was sitting in his spot. 
Tomorrow his spot on the couch will be empty, his favorite dog beds filled by the other dogs, no eager pug face waiting for treats, cuddles, pets, and to curl up beside me. We will be a pugless household, for me that will be a first in almost thirty years. I don’t know how I will bear it. 

New meds helped Sasquatch to recover himself for a few weeks after I wrote this blog. He never had another night where he threw up, or lost control of himself. He started eating again, though only soft food, and only certain foods. He liked cooked green peas mixed with his meat, not sure why, but we fed it to him, because that’s what you do. But now, we are back to him refusing all food, even cooked peas and chicken. For the first time he’s not even drinking water, so that’s it. We might find another round of miracle meds to help him limp on a few more days, but to what purpose? There comes a point with a beloved pet where you have to ask yourself, am I doing this for them, or for me?  

  One of the last pictures I took of our boy.
I’ll carry Sas over to the office one last time, because he can’t get over here by himself anymore. It’s not just stairs now, but even walking across the floor is hard for him. We’ll all say good-bye today, and this evening we’ll take him into the vet and it will done. I’m trying to be very unemotional about it all, but what I wrote earlier is very true. We will be a pugless household by tomorrow and even with four healthy, wonderful dogs remaining to give doggy kisses, beg for belly rubs, play with their favorite toys, fill the dogs beds, go for walks, its not the same. For all of you that have found “your breed”, you know what I mean. YOUR BREED, should always be in capital letters, because it is a profound bond not just to a particular dog, but to all the dogs everywhere that look like your dog. Genevieve and Spike are members of the Church of Dog, but they are new to our denomination of Pugdom. They brought two wonderful mutts into our lives, but neither of them has found “their” breed for certain. Jon, Trinity, and I have been pug owners for a lifetime, literally in Trinity’s case, and tomorrow we will not be. Japanese chins are a close second for us, but we always saw us with chins and pugs, never without our snoring, snuffling, wrinkly faced, rolling-gaited, curly-tailed, pugs. It somehow makes losing Sas feel even more awful, because there is not another pug to come home to, once we say, good-bye to our fuzzy pug boy.
The End: All five of us went with Sasquatch on the last trip to the vet. When the time came, I held him in my arms, made sure my skin was close to his nose so he would have my scent, and know for certain that I was there. He went very quickly, so fast the vet was surprised. She double checked his vitals, but he was gone, so ready to go that he didn’t even wait for all the anesthetic to be administered. She used it all, just in case, but Sas wasn’t there. He was already somewhere else, where nothing hurt, and he could be reborn to a time when he was younger, healthy, happy, his cast iron stomach back and puggish appetite back so he could be the shape a pug is meant to be which is barrel shaped. Multum in parvo, much in little, a big dog in a small package, true of every pug I’ve ever known and certainly true of our Sasquatch.    

Dead Ice: Anita Blake

This is the last blog before Dead Ice hits the shelves here in America, you lucky fans in the U.K. already have your copy, but on this side of the pond we’re still waiting and in anticipation of that wait here is Anita. Because if there’s just one more blog left before the pub date, it’s got to be Anita.

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Question: How did you come up with the character of Anita?

Answer: The summer after college I read my first hard-boiled detective fiction, Robert B. Parker’s Spenser series, Sue Grafton, Sara Paratesky, Raymond Chandler, and Dashiell Hammett. I’m sure there were other male writers in the genre I read that year, but that’s the list that sticks out in my mind. What stood out in my mind then was that the male detectives got to cuss, have sex, and shoot people pretty much without remorse. The female detectives rarely cursed, sex was either nonexistent or sanitized and off stage, and if they had to shoot someone they had to feel really, really bad about it. The difference between the two hard-boiled genders was so unbalanced that it pissed me off, and out of that anger I decided to create a female detective that could even the playing field. At the same time I read a short story with zombies in it, several articles on real life voodoo as a religion, one on Sanataria, and . . . the idea that Anita would be more than an ordinary detective began to take shape.
Secrets to Share: In retrospect I may have done a bit more than just evened the playing field, but then if something is worth doing, it’s worth overdoing? *grins* The seed that would eventually become Anita Blake, and spawn a #1 New York Times Bestselling series, began with that sense of outrage at the gender inequality in hard-boiled detective fiction. If I’d stayed with that original idea then I would have tried to sell a seriously violent detective series with a hard talking and sexy female detective, and respected editors in the mystery genre have told me that they love Anita Blake, but the series would never have sold if it had been straight mystery. We may have come a long way, baby, but apparently mainstream mystery hasn’t come far enough to have a female detective that can play as hard as the men. In fact, Anita gets to play harder than most of the men in the plain mystery section. If I hadn’t read the pieces about voodoo and zombies at nearly the same time as the mysteries, then I don’t know if I would have thought to have Anita raise the dead for a living. Adding the horror genre to the mystery was what allowed me to be as violent as the crimes Anita was investigating needed to be; and horror also lets women fight back right alongside the men, more even than mystery.
The zombies came from reading the right things at the perfect time, but I’d already decided to put the supernatural in the series because I thought I’d get bored with just straight mystery. I read a lot of mystery series after those initial ones, not just hard-boiled, but cozy, and everything in between the two. What I found was that most writers seemed to get bored with their series between book five and eight. You could watch them fall out of love with their characters and their worlds. Some authors rallied and were able to find renewed energy and fall back in love with their series, and some were selling too well to stop so they struggled on for more books, but the lack of joy in their work showed through on the page. I decided I’d give myself enough toys so I would never grow bored. I’d read fantasy and horror most of my reading life and I loved old horror movies, especially the old Hammer vampires films. I’d watched them as a child on the late night creature feature show and been enthralled. I’d read all the real life ghost stories and folklore that I could get my hands on from the time I could read, so I decided I wanted a world where everything that went bump in the night was real. More than that though, I wanted it to be modern day as if we went to bed one night and got up the next day with all the monsters being real and everyone knew about them. I wanted to see modern day America have to deal with vampires, zombies, and shapeshifters as a reality, not as a rumor or a ghost story, but real. I wanted to mix the fantastic with the mundane in a serious way and see what happened. That was one of the main things that interested me at the beginning and is still one of my favorite things to write about today.
The fact that I then added relationship tropes to the series just helped me push the writing in any direction the story took me.

Question: Will we ever meet Anita’s family on stage in a book?

Answer: I think so.
Secrets to Share:
I actually wrote the first chapter and planned the mystery plot for a book where Anita goes home for Thanksgiving. The original idea was she would take Richard to meet her family, but by the time I sat down to write the first chapter it was Micah and Nathaniel. Why not Jean-Claude? First, vampires don’t travel as well by car, and that was the original plan. Second, Grandma Blake is crazy religious and prays for Anita’s soul because she’s sleeping with a vampire. We don’t trust her not to do something like open a window so sunlight hits Jean-Claude. The original idea was that Anita would stay in the house she grew up in, like most of us do when we go home for the holidays. Nothing like being surrounded by family and staying in your old room to throw you back into old childhood mindsets. Not sure how much of the plot would change, but every time I try to make it the next book it just doesn’t work. My muse and I aren’t ready, or maybe Anita isn’t ready.

Question: Is Anita you?

Answer: No.
Secrets to Share:
I made Anita my size, because it was easier to choreograph a fight scene if my main character was my size. If I’d made her taller, or in any way that different from me physically, then I’d have had to find a friend the size of my character anytime I went gun shopping or looked at a shoulder holster. She’s my size because the hand I have is the hand I need to fit. It just made sense to me at the time. I gave her my hair because I like my hair, and I figured if I was going to screw her life up with terrifying mystery/horror plots that I should give her something that she might like, too. I’m told that Anita’s attitude is tough, strong, masculine, not very feminine, and in many ways, it is my attitude; but I didn’t think of it in those terms until readers and interviewers started telling me. Anita’s personality and mine were closer to the same at the beginning of the series, but it’s a first person narration so making her sound and think like me was easier as a new novelist. When I sat down to write Merry Gentry years later I would make sure she didn’t sound like Anita, which meant she didn’t sound much like me, and made writing her a whole lot harder. I think it’s one of the reasons that Merry writes slower than Anita, because I don’t think like Merry does, and yet she’s a first person narrator, too. Anita and I have diverged as people because our experiences have been very different. She’s gone on to have one of the highest kill counts in fiction outside of war novels, and I married, moved to suburbia, had a child, dogs, and did a much more traditional approach for the first decade I wrote Anita. She was anything but traditional by any standards. Anita is now decades younger than I am, because I read an essay by Agatha Christie years before where she complained that she’d made both Miss Marple and Hercule Poirot too old, and if she could do it over again she’d have started them off much younger. I took that bit of advice to heart and Anita was twenty-four when she stepped onto the page, as was I when I wrote the first short story with her in it. Seven to eight years is all that’s passed in Anita’s world, while much more has passed in the real world.
Anita and I both lost our mothers in car accidents as children. She was eight when her mother died, I was six. Why did I do that? Because when I was twenty-four my mother’s death was still so traumatic that I couldn’t imagine understanding a character that hadn’t had a similar experience. That early tragic loss made me understand just how fragile life was, and took forever the ideal that the adults around me are omnipotent and could keep me safe, because they couldn’t keep themselves safe. That knowledge at such a young age has made me a different person than I might have been, and it’s so intimate to who I am that I gave the viewpoint to my main character, because again, first person narration. They say, write about what you know, so what did I know? I knew death and loss, monsters and lovers, small town American lost in the big city, I knew how to be a strong woman in a man’s world, I knew not to ask for mercy for there isn’t much to go around, save the mercy for someone who needs it more.

Sneak Peek from Dead Ice:
Lita looked at me, head slightly to one side. “You didn’t worry that it’d make men not want you?”

“No,” I said.

“You didn’t worry that it made you look like a victim?” Kelly asked.

I frowned at her. “No, every time I look at my scars I think that I lived, and I killed what hurt me. These are victory marks, not victim,” I said.

George R. R. Martin is a Steely-Eyed Hard Ass, or I’m a Wimp

George R. R. Martin seems to kill characters willy-nilly and seems not to suffer overly much from those deaths, or if he does then he is a masochist of highest order, because I killed a character today, and I feel like shit. I figured out that the death was coming earlier today and knew exactly why my page count had slowed to a crawl, it always does just before I have to lose someone on paper. I walked around in dread for most of the day, and then finally sat down to write. I wrote, then a few tears, and then I finished the scene. I wept, no exaggeration, I freaking sat at my desk and wept, and then I realized it wasn’t done. The death wasn’t enough, there had to be the grief, the reaction of those left behind and that made me cry harder. I wrote in near hysterics, and even now the reaction of everyone isn’t finished, because this death will haunt and effect the rest of the book, and any book that comes after it in the series for that matter.
I found the Kleenex box, and used several, then I printed the pages off for my husband, Jon to read, since he’s the only one that’s read the book besides me, at this point. My dogs decided to be amazingly cute at that moment, because they seemed to know I needed it. They made me laugh, then we all left my office and went to the main part of the house, and then I did something that I’ve never done after writing anything. I got a hard cider from the fridge, opened it, and took a swig. I hardly ever drink, I don’t like the taste of most of it, and don’t need anything to lower my inhibitions, thanks, but today I made an exception. It was the most my husband had ever seen me drink at one time, and I still didn’t finish the bottle. I got to that warm, tingly, rush point and stopped. I wasn’t sure it helped, but it didn’t hurt.
Cupcakes next, because almost everything is better with cupcakes. One a piece for everyone in the household. Got something for dinner I hadn’t had in months, maybe a year – Domino’s pan pizza just cheese. It’s been one of my comfort foods for years. I don’t usually give into food cravings, because it totally kills all the effort at the gym, but tonight I indulged in the pizza. My cupcake remains untouched, the pizza seems to have filled me up. Now watching the musical, 1776, with my family, because it’s been a feel good movie for us for years.
I’m feeling more peaceful, not happy, but calmer. But if I killed off characters the way George does, apparently I’d be an alcoholic, and weigh about three hundred pounds. Good thing I don’t write too many death scenes of major and beloved characters.

I’m Back!

A week ago I was in the hospital for my second day. I caught a virus, just a stomach virus. We’ve all caught plenty of them in our lifetime, but I’ve never had one like this before. I spent about two weeks throwing up, and a pretty solid week of being unable to hold anything down, including water. I now understand why they think dehydration killed many of the victims of flue epidemics in the early 1900s, before there was such a thing as intravenous fluids to give the sick, and stop that spiral downward. I was never so happy to be on an IV in my life. I’m feeling much better, though still surprisingly tired with very little effort to show for it. My doctor warned me to increase slowly back to a normal activity level. What he didn’t say was that I’d feel so weak and tire so easily that I would have little choice but to behave myself. But everyday is a bit better, and so am I.
A funny thing happened during this illness, it sort of cleared away a lot of mental debris. Put things into perspective, as it were. I found a quote that says a lot of what I learned, and what I’m still enjoying.

“Normal day, let me be aware of the treasure you are. Let me learn from you, love you, bless you before you depart. Let me not pass you by in quest of some rare and perfect tomorrow. Let me hold you while I may, for it may not always be so. One day I shall dig my nails into the earth, or bury my face in the pillow, or stretch myself taut, or raise my hands to the sky and want, more than all the world, your return.” – Mary Jean Iron.

You would think I would have learned this lesson by now, but I hadn’t. I thought my mother’s death when I was six had taught me this, but maybe there was too much pain attached to that “lesson”, so that it taught me other things. Some things helped me appreciate what I had and take chances and set goals and DO THINGS! But it didn’t teach me to lay in the dark and listen to my husband’s breathing, and cuddle tight to the smooth, warmth of his body, and be grateful that I wasn’t hurting. They gave me morphine in the hospital for the pain, I’d never had morphine – warm, trickling through my veins, the weirdest feeling, like I could trace it through my body, and then the pain abated for the first time in days. I was able to sleep with enough medicine in me, and that, too, was a wonderful thing. Death didn’t teach me to appreciate sitting in my office and typing this to all of you, but life did. I love the view from my office now more than ever before, I no longer bemoan that it’s not a lake, or an ocean, which is the only thing my dream office lacks. I’m happy with my tall green trees now. I no longer think wistfully of that Dalmatian, or English setter, that I’ll never own because I’m not runner enough to keep them happy, but am thrilled with the silky fur of our two Japanese chins, and the comforting snoring of our pug. I realize that the desire for the Dalmatian that came when I was twelve, after reading Dodie Smith’s book “One Hundred and One Dalmatians,” is really a wish to be a different person than I am. I’ve worked too long and too hard to be who I am to wish for such changes. I go to the gym, but a marathon runner I will never be, and that’s okay. I guess there was still a tiny part of me that wanted to be tall, and blond, and gazelle like, but I am short, dark, and . . . and what? Certainly not gazelle like. *laughs* Zebra like? Something sturdy . . . a horse? Pony? In old vaudeville slang I would certainly be a pony, tall leggy girls were stallions.
When I was a little girl I wanted to be either tall, blonde and leggy, and a natural athlete, or darkly exotic and ethnic anything but my Northern European background. There’s still part of me that wants to be that tall athletic girl that I will never be. I am competent in the gym now, but it’s not natural. I will never put a hand out in a slow, easy arc and catch a ball, and throw it without thought, easy as breathing, but then those girls didn’t read much. They certainly didn’t write. I’m not saying athletes can’t be writers, but I think I would have made a choice, been different, aimed outward, rather than inward, and in the end that’s what a writer is – we aim inward. The real world effects us, Gods know, but it is our processing of that reality inside our heads, our hearts, our very souls, that makes the difference. In the last few years I’ve learned to live in my body in a happier, healthier way than ever before, and make peace with the fact that I have to work a little harder to do what some people take for granted in the gym, but that’s okay, they ask me, “How can you write a whole book?” I ask, “How can you run marathons? How can you lift four hundred pounds?” I guess, we all look at the other half and either wonder about them, or even wonder what we might be like if we were them.
It’s okay to wonder, even day dream about being other people, which is part of my job description, I guess. I put myself in other people’s lives, thoughts, what if . . . what if . . . But today I am grateful for what is, because what is, is pretty damn good. I will endeavor to hold this lesson tight and close and not forget that the ordinary is actually pretty extraordinary.