Ireland Here We Come!

Blog – Irish trip & research

I wrote this blog before we left for research, but security issues being what they are, I’m going to be posting some of the blogs out of order. It’s a shame a few bad apples spoil things, but there it is.

I’m sitting in my office, just after dawn. The sky is still all light and shining with the blue color only now fighting its way through all that LIGHT! The air feels cool and calm, the day stretching ahead full of promise and possibilities, and yet . . . but . . . There’s always an, and yet, or a but, or so it seems of late.
IMG_2016.JPG
We are supposed to be getting on a plane for Ireland today, yes you read that right. We are headed to the Emerald Isle. We’ll see you all in London in August, but we’re leaving early for research. The book I’m currently working on is mostly set in Ireland, and because I’ve never, ever been there I’d put off this story for years. Wait, I kept telling it, and it waited. Don’t push, I said, and it didn’t push. Other ideas pushed hard and fast and paid no attention to my orders, or my requests, or even my pleading with them, because they were ready to be born, so I wrote them as they clamored to be written. Story ideas for me are like baby birds in a nest, the loudest voice and tallest held mouth gets the worm, and will fledge first, but unlike real life where the tiniest nestling can starve and die while it’s bolder siblings thrive, ideas don’t die for me. They live, they wait, and they bide their time. 
This book has found it’s time. It’s eager, excited, demanding to be written, and the damn thing is set in Ireland. It’s set in a specific part of the country that I have never seen or even read about before the book decided it was set mostly there. I’ve only had this happen once before and that was with my book, Obsidian Butterfly. It is set in New Mexico, which I’d never visited. My character, Edward, insisted that he lived in New Mexico. In fact he insisted he lived somewhere between Albuquerque and Santa Fe, New Mexico. I argued with him. “You’re a fictional character. I made you up. You cannot possibly live in a place that I’ve never seen or even read about. You’re part of me, how can you go some place I’ve never been?”
When I stepped off the plane in New Mexico and saw those low, black mountains, that desolate, near alien landscape, I said, “Well, son of a bitch, you do live here.”
I have no idea how Edward, alias U. S. Marshal Ted Forrester, decided he lived in a place I’d never seen or read much about. He’s always been a character that went off on his own, and then would come back and tell me what he was doing, and some of what he had done. He keeps his secrets, even from me. Which is a very peculiar feeling for a writer, since I’m supposed to be making him up as I go, but somehow he has enough life of his own that he tells me what he’s doing, and surprises the hell out of me, a lot. 
I should have known that Edward would be in a book that was insisting on being set in a part of the world I had never seen. I can’t say I haven’t read much about Ireland, because I have been a serious lover of this section of the world for a long time. I’ve read the myths and folklore of Ireland, Scotland, England, and though I know they are part of England now, Cornwall, Wales, and almost every part of these myth-ridden islands. I was a serious Anglophile in my teens and dreamed of visiting all of it someday, though I don’t think I ever believed I’d manage it. Traveling to such far off places was for other people, not for girls living in the middle of farm country, raised below poverty level, so it turned out. I knew we didn’t have money, but I never felt poor in the sense that the word, “poverty”, makes me think. I never felt impoverished, I just knew we didn’t have money. I’m not sure anyone I ever knew as a young child ever traveled out of the country for anything except military service.
I’ve been to England twice. I’ve seen Rome and Milan in Italy. I’ve been to Paris and found it as romantic as advertised, which I didn’t think possible. Admittedly, I was with Jonathon and almost anywhere I go with him is romantic. But we both really enjoyed Paris and look forward to going back and taking Genevieve and Spike with us. I could live for a few months in Rome, or Paris, but strangely didn’t enjoy London all that much. What captured me in England was the countryside. Glastonbury, Avebury, and all the Salisbury Plain area spoke to our heart.
The closest we came to Ireland on that trip was seeing it from the air. I remember thinking, wow, it’s so green. This time we get to see all that verdant green in person. I’m so excited, and a little intimidated. First by the flight, because I’m terrified of flying, and second, by trying to write about a country I’ve never seen before. There’s always a pressure to get it right on paper. I’ve already started making contacts with people I need to help me with researching the book I’m writing, the book you’ll read next summer, and research in England for a book after that. Though both of these books are Anita Blake books, I’ve also had Merry Gentry whispering around in my head, or rather other characters from her books. Merry is silent, content with her new babies and trying to find happiness after grief. But her world is moving around in my head as I look over the books on Ireland that I used for research in her stories. This trip might make the Merry fans get the next story sooner, might, I don’t know yet. All I know for certain is the two books I am absolutely researching while I travel across the pond. 

Affliction Update

Affliction will be out July 2, 2013! Why isn’t it in June like normal?
I was writing along on Affliction, and it was slow going, which isn’t usual for me at the beginning of a book. The book seemed to be fighting me and I wasn’t sure why, this usually happens when plot, or character, are not conforming to my initial idea and I’m refusing to make the change that the character wants. The book and I continued to duke it out, and I had some all time low daily page counts after page 150, that’s usually the moment that a book gains momentum, unless . . . unless it’s going to be longer than planned. My deadline was coming, I didn’t have time for substantially longer. You see the problem, right? Books are like legs, they need to be as long as necessary to reach the ground, otherwise you have serious problems with walking, running, and just moving forward in general. The more I tried to keep things under control, the harder it got, and the slower I wrote. What I had on the page was good, and I was having fun while writing, but still there was something wrong. Early on I’d told my editor that Edward might be in the book, but as we neared page 300 I assured her that he wasn’t going to be in it, because if he was going to show up that he would have put in an appearance by now. You see it coming, don’t you? Yep, you guessed it, Edward strolled on stage after page 300.
Now, I love Edward. I love writing him. Anita loves to work with him. He is her best friend, after all. Yes, I know that she needs a girl best friend again, since she and Ronnie had a parting of philosophies, but since my best friend, not counting my husband Jon, is male, I guess it makes sense that Anita would gravitate that way, too. Edward’s first scene was perfectly him, and wonderful interaction between him and Anita. It was great! I always love their dialogue. Here’s the problem, any time Edward steps on scene a book is guaranteed to be at least a 100 pages longer than I had planned, and usually between 150-200 pages longer. That’s great for you readers, but I still have to write the pages and meet my deadline. Affliction was plotted out to be a long book anyway, but adding Edward so late in the game, I knew was in trouble.
I called up my wonderful editor, Susan, and told her I wasn’t making my December deadline, it just wasn’t happening, was there anyway to make a later deadline? So, that’s how we ended up with the book moving to July, and my deadline moving to February, because I needed the time to play with all the characters that kept insisting they would be on stage this book.
Not only is Edward a surprise guest star, but Jean-Claude has a much bigger role than I had planned on, and the Wicked Truth are on stage, which I was trying to avoid. I love them, and they are yummy, but when I started nearing 500 pages I thought we had all the familiar characters we were going to introduce in this book, and yet, when I stop typing this I will be finishing their introduction scene for this book. Introducing two minor major characters at nearly page 500? What the hell? I mean, you just don’t introduce people this late in the game if the book is going to stop soon, right? Right? Argh!!!! I love everyone and the book reads well, Jon is really enjoying what he’s gotten to read, as has my editor, but come on all you fictional guys and girls, enough already! I got a deadline to make!
I now realize that one of the things that has slowed my page rate per day is that I’m still fighting the book. I’m still trying to force it into the smaller shape I had planned. I have to stop fighting myself and just let the book be what it’s going to be. My goal for the day is to stop worrying about how many characters are in the book and how late in the game they are stepping on stage and just write. It’s really all I can do, write, and let my imaginary friends have their heads, and like a horse that I’ve been fighting to hold back in a race, I’m hoping that once I give them their heads we’ll pick up speed and fly past that finish line ahead of the pack.