I’ve been so busy trying to finish writing, Crimson Death the 25th Anita Blake novel that I forgot that Dead Ice the 24th Anita Blake novel is out in paperback today! No, wait yesterday, because that was April 26th. I have a serious case of, “writing this book is eating my brain.” There’s a surprise in the back of the paperback, not the usual preview from my next novel, but something different. It’s entitled, “Wounded’, and it’s an outtake scene, or a short story, or a novelette, or a long epilogue for Dead Ice. I’m honestly not sure which to call it, but it is a series of events that we talk about briefly in the denouement of Dead Ice but they all happen off stage. A lot of you told me you missed seeing Jean-Claude dancing at the wedding and wanted to see more about Manny Rodriquez and his family. Well, so did I, and I thought why not? Why can’t I write them out and share them with all of you? Why can’t we see all of it on stage in living color? So I started writing out this brief extra scene and it grew until it was more than a scene, more than a story, and closer to a short novel. At one point I thought it might be as long as my novels Jason and Micah, but it didn’t quite make that word count, thank goodness, so what to do with it? Someone, I can’t actually remember now if it was my agent, my editor, or me, suggested what if we put it in the back of the paperback. Great idea! So for those of you who have read Dead Ice and wanted some more it’s in the paperback now! For those who prefer paperback to hardback here’s your chance and with extra bonus content! But please do not read the extra until you’ve finished reading Dead Ice, because the bonus novelette is full of spoilers. You’ll find out who lives, who dies, who the villain is and how the mystery is solved. No, really, it’s full of spoilers! You have been warned, so if you read the new content before you’ve read Dead Ice the plot will be spoiled for you!!!! So enjoy Dead Ice out now in paperback and I hope the story, “Wounded”, helps satisfy your desire for more from Anita Blake and her world.
Tag: mystery
New Pub Date for Crimson Death
Crimson Death, the new Anita Blake novel, will be published on September 13, 2016. For those of you who follow my blog, you know I’m still writing the book, what you don’t know is that I finished it once already. I typed, The End, one glorious morning as I watched the sun rise; but once the euphoria of the writing high faded and I got some sleep, I knew something was wrong. I’d known something was wrong for weeks, maybe months, but definitely weeks. I was too close to finishing the book, so I ignored my muse and my characters arguing with me. One character in particular wasn’t happy. Damian, who started life as a Viking until one dark night he and his brothers in arms tried to raid the wrong castle. She-Who-Made-Him, a master vampire that traumatized him so badly he’s afraid to speak her name, held him as a virtual slave for centuries. She let him go, and he still doesn’t know why, but he was allowed to go to America where he became a manager at one of the hottest dance clubs in the country, Danse Macabre. In fact, he first appears in the book that introduces the club. The Killing Dance is the sixth book in the series, and this is Damian’s introduction:
“I TURNED to find another new vampire. He was tall and slender with skin the color of clean white sheets, but sheets didn’t have muscle moving underneath, sheets didn’t glide down the steps and pad godlike across a room. His hair fell past his shoulders, a red so pure it was nearly the color of blood. The color screamed against his paleness.”
Originally, I thought Crimson Death would be a short novel like my books, Micah and Jason, called Damian, but very quickly I realized it was going to be a big book. I believe my largest word count was 300,000 words. I’m one of those writers that writes long and then cuts, but this was excessive, even for me. It was another clue that my muse and I were debating with each other. The original plot had Damian kidnapped and Anita coming to his rescue. It would take me typing to the end, or what I thought was the end, to be willing to listen to my muse, and to Damian. He finally got through to me and not literally said, but basically told me, “I’ve been in the series since book six and now I’m finally getting my own story in book twenty-five and I’m just the damsel in distress. All those newer characters that have come on stage and been heroes, or major love interests, or something more than just the victim du jour, and now I’m just as unhappy, just as powerless, just as afraid as I began. Nineteen books and I haven’t grown at all.” He was right, and it was unusual for me, because I’m all about the character growth and letting my fictional friends have interesting lives, except for him. Damian had been almost static, I don’t know why, but he finally stepped up and threw the gauntlet down.
“You can do better than this,” he told me, and he was right. I turned my plot on its ear and now Damian is going back to Ireland to help solve a mystery. He’s going back to face his greatest fears to save lives as a consultant with the Irish authorities about their sudden vampire problem. Sudden, because Ireland isn’t supposed to have any vampires. It’s one of the few countries on the planet that has no folklore about them. The only dead that walk in Irish myths are ghosts and the shades of heroes. But Damian knows differently, he knows that there is a vampire so powerful and so frightening that to even speak her name is to risk her power seeking you out, even across an ocean. She-Who-Made-Him says the vampires plaguing Dublin are not her doing, and that she’s grown weaker since Damian left her side. U. S. Marshal Ted Forrester, AKA Edward, is already there acting as a consultant. He wants fellow marshal Anita Blake to come help hunt the undead and to bring the only vampire that might know the truth about what’s happening. Anita thought Damian was going home, but Ireland was never home, it was the place where he died.
Dead Ice: Anita Blake
This is the last blog before Dead Ice hits the shelves here in America, you lucky fans in the U.K. already have your copy, but on this side of the pond we’re still waiting and in anticipation of that wait here is Anita. Because if there’s just one more blog left before the pub date, it’s got to be Anita.
Question: How did you come up with the character of Anita?
Answer: The summer after college I read my first hard-boiled detective fiction, Robert B. Parker’s Spenser series, Sue Grafton, Sara Paratesky, Raymond Chandler, and Dashiell Hammett. I’m sure there were other male writers in the genre I read that year, but that’s the list that sticks out in my mind. What stood out in my mind then was that the male detectives got to cuss, have sex, and shoot people pretty much without remorse. The female detectives rarely cursed, sex was either nonexistent or sanitized and off stage, and if they had to shoot someone they had to feel really, really bad about it. The difference between the two hard-boiled genders was so unbalanced that it pissed me off, and out of that anger I decided to create a female detective that could even the playing field. At the same time I read a short story with zombies in it, several articles on real life voodoo as a religion, one on Sanataria, and . . . the idea that Anita would be more than an ordinary detective began to take shape.
Secrets to Share: In retrospect I may have done a bit more than just evened the playing field, but then if something is worth doing, it’s worth overdoing? *grins* The seed that would eventually become Anita Blake, and spawn a #1 New York Times Bestselling series, began with that sense of outrage at the gender inequality in hard-boiled detective fiction. If I’d stayed with that original idea then I would have tried to sell a seriously violent detective series with a hard talking and sexy female detective, and respected editors in the mystery genre have told me that they love Anita Blake, but the series would never have sold if it had been straight mystery. We may have come a long way, baby, but apparently mainstream mystery hasn’t come far enough to have a female detective that can play as hard as the men. In fact, Anita gets to play harder than most of the men in the plain mystery section. If I hadn’t read the pieces about voodoo and zombies at nearly the same time as the mysteries, then I don’t know if I would have thought to have Anita raise the dead for a living. Adding the horror genre to the mystery was what allowed me to be as violent as the crimes Anita was investigating needed to be; and horror also lets women fight back right alongside the men, more even than mystery.
The zombies came from reading the right things at the perfect time, but I’d already decided to put the supernatural in the series because I thought I’d get bored with just straight mystery. I read a lot of mystery series after those initial ones, not just hard-boiled, but cozy, and everything in between the two. What I found was that most writers seemed to get bored with their series between book five and eight. You could watch them fall out of love with their characters and their worlds. Some authors rallied and were able to find renewed energy and fall back in love with their series, and some were selling too well to stop so they struggled on for more books, but the lack of joy in their work showed through on the page. I decided I’d give myself enough toys so I would never grow bored. I’d read fantasy and horror most of my reading life and I loved old horror movies, especially the old Hammer vampires films. I’d watched them as a child on the late night creature feature show and been enthralled. I’d read all the real life ghost stories and folklore that I could get my hands on from the time I could read, so I decided I wanted a world where everything that went bump in the night was real. More than that though, I wanted it to be modern day as if we went to bed one night and got up the next day with all the monsters being real and everyone knew about them. I wanted to see modern day America have to deal with vampires, zombies, and shapeshifters as a reality, not as a rumor or a ghost story, but real. I wanted to mix the fantastic with the mundane in a serious way and see what happened. That was one of the main things that interested me at the beginning and is still one of my favorite things to write about today.
The fact that I then added relationship tropes to the series just helped me push the writing in any direction the story took me.
Question: Will we ever meet Anita’s family on stage in a book?
Answer: I think so.
Secrets to Share:
I actually wrote the first chapter and planned the mystery plot for a book where Anita goes home for Thanksgiving. The original idea was she would take Richard to meet her family, but by the time I sat down to write the first chapter it was Micah and Nathaniel. Why not Jean-Claude? First, vampires don’t travel as well by car, and that was the original plan. Second, Grandma Blake is crazy religious and prays for Anita’s soul because she’s sleeping with a vampire. We don’t trust her not to do something like open a window so sunlight hits Jean-Claude. The original idea was that Anita would stay in the house she grew up in, like most of us do when we go home for the holidays. Nothing like being surrounded by family and staying in your old room to throw you back into old childhood mindsets. Not sure how much of the plot would change, but every time I try to make it the next book it just doesn’t work. My muse and I aren’t ready, or maybe Anita isn’t ready.
Question: Is Anita you?
Answer: No.
Secrets to Share:
I made Anita my size, because it was easier to choreograph a fight scene if my main character was my size. If I’d made her taller, or in any way that different from me physically, then I’d have had to find a friend the size of my character anytime I went gun shopping or looked at a shoulder holster. She’s my size because the hand I have is the hand I need to fit. It just made sense to me at the time. I gave her my hair because I like my hair, and I figured if I was going to screw her life up with terrifying mystery/horror plots that I should give her something that she might like, too. I’m told that Anita’s attitude is tough, strong, masculine, not very feminine, and in many ways, it is my attitude; but I didn’t think of it in those terms until readers and interviewers started telling me. Anita’s personality and mine were closer to the same at the beginning of the series, but it’s a first person narration so making her sound and think like me was easier as a new novelist. When I sat down to write Merry Gentry years later I would make sure she didn’t sound like Anita, which meant she didn’t sound much like me, and made writing her a whole lot harder. I think it’s one of the reasons that Merry writes slower than Anita, because I don’t think like Merry does, and yet she’s a first person narrator, too. Anita and I have diverged as people because our experiences have been very different. She’s gone on to have one of the highest kill counts in fiction outside of war novels, and I married, moved to suburbia, had a child, dogs, and did a much more traditional approach for the first decade I wrote Anita. She was anything but traditional by any standards. Anita is now decades younger than I am, because I read an essay by Agatha Christie years before where she complained that she’d made both Miss Marple and Hercule Poirot too old, and if she could do it over again she’d have started them off much younger. I took that bit of advice to heart and Anita was twenty-four when she stepped onto the page, as was I when I wrote the first short story with her in it. Seven to eight years is all that’s passed in Anita’s world, while much more has passed in the real world.
Anita and I both lost our mothers in car accidents as children. She was eight when her mother died, I was six. Why did I do that? Because when I was twenty-four my mother’s death was still so traumatic that I couldn’t imagine understanding a character that hadn’t had a similar experience. That early tragic loss made me understand just how fragile life was, and took forever the ideal that the adults around me are omnipotent and could keep me safe, because they couldn’t keep themselves safe. That knowledge at such a young age has made me a different person than I might have been, and it’s so intimate to who I am that I gave the viewpoint to my main character, because again, first person narration. They say, write about what you know, so what did I know? I knew death and loss, monsters and lovers, small town American lost in the big city, I knew how to be a strong woman in a man’s world, I knew not to ask for mercy for there isn’t much to go around, save the mercy for someone who needs it more.
Sneak Peek from Dead Ice:
Lita looked at me, head slightly to one side. “You didn’t worry that it’d make men not want you?”
“No,” I said.
“You didn’t worry that it made you look like a victim?” Kelly asked.
I frowned at her. “No, every time I look at my scars I think that I lived, and I killed what hurt me. These are victory marks, not victim,” I said.
The Blog I promised
It’s the 20th anniversary for the Anita Blake series, and to help celebrate that I asked you to tell me what the books and characters had meant to you, and how you found them. The response has been overwhelming and wonderful – Thank You.
I’m sitting in my office with just our three dogs for company, as I usually am when I write. It is a very isolated job, writing. Authors spend most of their lives in a room by themselves while the world passes by outside. The inside of my head is full of a slightly different world populated by people so real to me that sometimes it feels wrong that I will never be able to touch their hands, see their smiles across a table from me – not for real. I call them my imaginary friends, rather than my friends, because in years when I just said, my friends, some fans misunderstood and thought that Anita, Jean-Claude, Richard, Micah, Nathaniel, Jason, all of them were based on real, flesh and blood people. So, I started saying my imaginary friends so people would understand that I did not base my characters on real people. It also started cutting down on fans asking for the phone numbers of my imaginary men. But one thing many of you made clear was that my imaginary friends had become your friends, too.
In fact, you told me that my imaginary friends, my world, my creations, had helped you guys get through some really tough times. That the books had been what you read at the bedside when your families were in the hospital, or even been a refuge when you had to face the death of those close to you. Some of you told me that Anita had taught you how to be strong, how not to back down, and that until Anita a lot of women, especially, hadn’t realized how to be strong. I’m always amazed by that, I guess because I was raised by a very strong woman, so strength and being female was just a given to me, but I’m glad I could share some of the strength I learned growing up, and building my life. I’d already lost track of the number of women who had told me at signings that they’d left abusive relationships, because they knew Anita wouldn’t have taken it. I am very proud of that, and I know that Anita would be, too.
I asked who your favorite characters were, and wasn’t surprised by most of the answers. Jean-Claude is big fan favorite, and he’s earned it. I think that he was more surprised by how he and Anita have grown as a couple than even she is, after all it’s not every woman that can surprise a man that’s over five hundred years old, but our girl keeps doing it. I think the key to that is that Anita keeps growing and changing, willing to be pushed outside her comfort zones. Many of you told me that you’ve learned to go outside your own comfort zones from reading my books. You know what? I’ve learned the same thing. I joke that I haven’t seen my comfort zones in at least ten years, and that’s true. It’s not a comfortable way to live, but it’s never boring, and it’s led me to be happier than I ever thought possible. What I hadn’t expected was to hear how many of you had learned a similar lesson. I guess, we’ve all grown together.
Trying to do justice to the hundreds of years of lady’s man for Jean-Claude led me to learn how to walk in high heels, and has totally changed my clothing choices. he’s like this voice in my head that pops up and goes, hmmm . . . what if you wore this today, or that would look lovely. I probably take more clothes advice from him than Anita would tolerate. *laughs*
I expected Micah to be a favorite, and the Wicked Truth, though Damian is very underused for someone that so many of you like. I’m sorry for that, but he’s happy being monogamous with Cardinale and who am I to argue with that? We may be seeing more of him in the future, but I’m trying to figure a way of doing that without wrecking his relationship. Zerbrowski is one of my favorites, too. I’ve actually made notes about a short story that would let us see him at home with his wife, Katie, and their kids. We’ve referred to Anita, Micah, and Nathaniel, going to cook outs at their house with the other cops, but never seen it on stage. Something about hitting this anniversary has made me look around the series and go, “What is it that we’ve never seen on stage that would be fun?”
Richard still has his fans, though admittedly most of you are not. Richard really is in therapy, and is making peace with himself and the conflict between the life he wanted and the life he has, which are miles apart. He’s been talking to me again, and I’m hopeful. I swear, that I brought him on to marry Anita. It was my solution to breaking her up with Jean-Claude and not having to kill him. It would take me years to realize that Richard was my ideal man, at the time, but maybe not hers.
The character that more of you mentioned than any other, either in a list with others, or alone, was Nathaniel. I knew he’d be on a lot of people’s favorite list, but I hadn’t anticipated what he’d meant to you so many of you. Some of you told me that him talking about his own therapy helped you be willing to see your therapy. That’s wonderful, because I’m a big believer in good therapy. It’s made a huge difference in my own life, and still does. I am so happy that sharing Nathaniel’s story has helped so many of you understand that just because something terrible happens to you, that isn’t the end of the story. We can heal, and grow, and learn to be happy. Thank you for telling me how much watching Nathaniel’s journey through the books has helped all of you understand that you can be happy, too. I know that would mean a lot to Nathaniel, too. Writing him has taught me, and Anita, that strength doesn’t always come full blown, sword in hand, but that some of the bravest people are the ones that learn to be brave.
In fact, several of you have told me that my books taught you that true bravery isn’t when you’re not afraid. True courage is being scared to death and doing it anyway. It was such a given to me that bravery is acting in the face of fear, that it never occurred to me that everyone didn’t understand that. It is one of the most valuable lessons I’ve ever learned and I am very happy to share it with all of you.
Thank you for so many of you telling me that my characters have helped you understand that you have to stand up for what you believe, what you want, who you are, and not let society tell you different. Anita and I both started the series so conservative, and now here we are so very not. 🙂
I would be a different person today if I had never written Anita. I would be a different person if I had only written the original three books I was contracted for, and stopped, or even stopped with the first six. The research I did into real crime, real violence, showed me things that I didn’t always want to know, but it helped me make Anita’s police work, more real. I believed that if I wanted people to believe in zombies, vampires, and wereanimals, that I had to make the real life details as real as possible. I haven’t always gotten it right, but I thank all the police and military personnel over the years that have helped me try, all mistakes are mine and mine alone. You guys did your best with this writer that has never worn any uniform for a job. But more than the true crime, the research into alternative lifestyles opened my eyes and showed me a much broader definition of . . . nearly everything.
Some of you have been with Anita and me from the beginning, but I hear from people every day that have just found us. Thank you for being on this journey with us, whether you found us with Guilty Pleasures, or somewhere in the middle, or just watched the video for Affliction and thought, I want to read that. Me, too, it’s why I wrote it, why I still write Anita, because I want to know what happens next.
My Birthday, Your Present
Today is my birthday, but this is a present for all of you. One late night of writing as I fought towards the latest deadline, I got on twitter and decided to play a game with everyone. I was writing a sex scene, which was a nice change from all the zombie slaughtering and just violent crime fighting in this latest Anita Blake novel, Affliction. I offered that if someone guessed exactly who was involved in the scene and where it was taking place that I’d post it as a blog. The game was a mixture of sexy clue, and twenty questions. Someone did win, and I was going to post it, but then realized this scene was too far in the book and potentially spoiled some things in the plot and character arc, so what to do? I decided to use a scene that takes place earlier in the book. It does give away a few things plot-wise, and certainly character-wise, but all good sex scenes help develop character, and even sometimes world build. But this earlier scene seemed less like I was revealing too much, so here are two chapters of Affliction which will be out July 2, 2013.
Chapter Fifty:
Chapter Fifty-One:
I hope you enjoyed my Birthday present to you!