Being Sick is not a Crime, Damnit!

They say Europeans take vacations. Americans take sick days. I’m proof of that right now. A virus I had last week keeps getting better, so I keep hitting my day head on, full steam ahead with no hold back, or consideration that I might not be a 100%. I’ve had three setbacks after a day of feeling fine. What should this stubborn American writer learn? That a day of recuperation after being sick is ok. Anita & her men will still be waiting for me. The new project will still be editing. Even that first tentative whisper from Merry & company will still be there, if I will simply let myself rest one extra day. I hope not to have to learn this lesson again. I can be taught. To all you other sicklings out there, “It is not a sin to rest.” It is okay to lay in bed with books & stuffed toys (Yes, I actually do collect stuffed animals, just not penguins) sleep when you can & , weird as it sounds, enjoy being sick without worrying about everything you’re not able to do today. ” It isn’t exactly enjoyable today, but I’m trying to relax & just let myself feel what I feel. No guilt about deadlines, time lost with my daughter, or the thousand other things that eat away at me when I’m sick. No guilt, no worrying allowed, just be, let yourself feel & heal. Being sick is not a crime, damnit! I shake my fist at the Puritan ancestors & strike a blow for sanity. If this is not one of your neurosis, bully for you, but for the rest of us this is an issue that really hurts, sometimes quite literally. Now, I’m curling under the sheets with my non-penguin cuddle objects, a book on tape, & sleep – to sleep perchance to heal.

Fireworks thank you, and Muchness

Thanks to everyone who resisted the lure of fireworks this 4th of July! Thank you so much for not setting yourself, or anyone else on fire.

This is the link to the blog that I found so helpful earlier today. how to reclaim your muchness

Lately I’ve been feeling like Alice in Wonderland, or rather Alice, through the Looking Glass. I’ve been feeling like I’ve lost some of my muchness. But I found the blog above and it helped me realize, that I haven’t lost my muchness, or not much of it. The only thing I did as a child, that I don’t do now is hike and explore the outdoors. I loved being in the woods, and especially adored streams, or any running water. Not too long ago I was an avid bird watcher, but it seems like I just haven’t had time to do much more than look at birds out my office windows, or when we travel. So, if I just add more out of doors stuff, then I am actually the grownup my younger self wanted to be, and in fact have succeeded beyond my wildest expectations as a writer. That’s pretty cool.

The blog above also reminded me of something that I’d forgotten, that books can teach us, touch us, and even when we’re writing about fantastic things, sometimes especially, there are truths that resonate and last. You’d think I’d know that with all the wonderful things you guys tell me about how my books have helped you, but sometimes in the act of creating the book the writer loses sight of the true magic of it all. Today I was reminded of that. I shall own my muchness, and not forget that I never really lost it to begin with.

Kiss the Dead tour – Atlanta

Kiss the Dead tour – Atlanta

Kiss the Dead is #1 overall hardback on Barnes and Noble bestseller list for week ending June 10!

Kiss the Dead is #1 fiction hardback on Nielson Bookscan bestseller list for week ending June 10!

Kiss the Dead is #1 fiction hardback on the New York Times List for week ending June 24!

I got all the above news before I went on stage in Atlanta. The news about the New York Times came in just before, and I was happy to be able to share that moment with all of you at the event!

I know that there were new questions at Atlanta, but for the life of me, the above good news is what keeps going through my head. Maybe later when the after glow has worn down some I’ll be able to think and do a more comprehensive blog about the Atlanta event, but then again, maybe not. Maybe all of you in Atlanta will be forever tied in my mind with the fresh thrill of being #1!

Thanks to all of you that were there to share the news!

Kiss the Dead Tour – Seattle

I’m writing this blog about our wonderful event in Seattle while looking out at palm trees and Southern California ocean. Much warmer, sunnier, and just different from the great Pacific Northwest. Both have an ocean, but this is all sand and beach goers, and Seattle is more about the city, and what comes out of the sea, rather than dipping our toes in it. Jon and I love Seattle, but I admit that I’m glad to have sunshine and no rain.
Thanks to everyone that came out last night to the Seattle Town Hall, where University Books sponsored yet another great event for us. Thanks to the whole crew, but especially Duane, and Art, who helped keep us secure, and Michael who risked life and limb to take the pictures. We really thought he was going to back off the stage a time, or two. 🙂 Some of the fans said they’d seen us at least three times, or was that four? I know you guys want the new books as they come out, but I’m amazed that you also want to hear the question and answer session, the show, again and again. I’m glad I can entertain you for two hours at a shot, and keep so many of you coming back.
One question I figured I’d get a lot this tour was when’s the next Merry Gentry novel coming out. Most of you knew it was scheduled for December. Last night I asked, “How many of you follow me on twitter, or FaceBook?” Over half the audience raised their hands. I then asked, “How many of you have noticed that I’m having trouble with this Merry book?” Again, a lot of hands went up. I’ve been listening to a lot of Christmas music which is what I go to when I’m really struggling with a book. Merry has not been happy with this book from the beginning, and neither have I. I wasn’t sure what was wrong at first, but eventually Merry told me, if you stop arguing with your characters and let them talk to you, most of the time they’ll let you know what’s wrong. What’s wrong is that to have a book you have to make your main character’s life unhappy. To make an interesting book you have to have things go wrong, and Merry is truly happy for the first time in her life, or at least since her father died, and she doesn’t want me messing that up. She has her twins, the men she’s in love with, and the men she loves, and it’s all good. I honestly think I should have stopped the series at book seven, Swallowing Darkness, but I was still under contract for more books and I still love the world. I also couldn’t imagine never writing about Merry, Doyle, Frost, Rhys, Galen, . . . heck everybody. But if I had stopped with book seven I could have given her that happy-ever-after-ending, and moved on. But I didn’t, I wrote book eight, Divine Misdemeanors, and even that could have been the end, but I left one huge plot point looming. Queen Andais, Merry’s aunt, has gone completely bug nuts and is basically a serial killer except she’s picking on victims that can’t die. If they could die, she’d be torturing her nobles to death. They are fleeing to Los Angeles and to Merry and her men. Andais won’t tolerate that forever, but more than that Merry can’t leave her people to the ministrations of Andais. If I had not added that last bit of insanity to the queen we could have walked away, but I wrote it and now we’re stuck. Merry can’t leave Andais on the throne, but she fears she will die in a duel and orphan her babies, and lose everything. Merry wants to be left the fuck alone, and I can’t really blame her. So, what to do?
I took a day to clear my head and write something else, because sometimes an idea will block the creative pipe. Fifty pages later I had the beginning of the next Anita Blake novel. It was ready to write and ready to go. Okay. I went back to Merry, because that was what was due next. Again, the writing slowed to a crawl, so I took a day, and thirty-forty pages later I had the beginnings of a brand new book set in a brand new world, with a brand new main character. That book is almost ready to write, I just need a little more time to world build, but the character, the voice, and the opening gambit are written and set. It’s based on a sticky note that I’ve had on my wall of stickies for ten years. I love it when an idea finally lets me know it’s ready. Then I went back to Merry, and the book never picked up. I crawled along at a pace that was never going to make deadline. I finally had to call my agent and my editor and tell them it wasn’t happening. There will be no Merry book in December this year. Sorry, guys but there won’t be. Merry has put her foot down and simply doesn’t want her life screwed up this badly. I have tried everything and anything I can think of, but in the end Merry won’t play ball. I’m leaving her alone, and going to let her and the muse that plays with her sit and think. I think we’ll work it out eventually, but I have no idea when. I know we will though, because I have scenes written when the twins are in kindergarten in L. A. and they are fun scenes. We will get there, but first we have Andais to conquer, seduce, or something. I have some ideas, but they aren’t ready yet. It’s cooking, slowly, and in the mean time . . .
If I had still been at two different publishing houses I’d be in serious trouble, because the other publisher would want the Merry book, but this sort of thing is why I decided one publisher in the U. S. would be a good thing, because now whatever book I write is theirs, so they won’t get a Merry book in December, but they’ll get the next Anita book, though not in December. Sorry, even I don’t write that fast. They’ll get the new book when the time comes, too. Whatever I’m working on is something they get to publish and make money from, so they stay happy, and I have the luxury as a writer of actually writing what speaks to my muse, and wants to be written next, regardless of deadline pressure. This is the first time in twenty years, thirty books that I’ve ever had to miss a deadline completely, and just say, “I can’t.” I hated doing it. Hated saying it, but once I worked through the issues of having to do it, it was a huge relief. I should have called it a couple of months ago, but I’m nothing if not stubborn, and I was just sure I could force my way through it. But writing isn’t like making widgets, it’s not just tab B into slot A, if it was then anyone could do it, and you’d get a Merry book this Yuletide season, but there is an element of mystery to it that even I don’t completely understand. I do know that by forcing myself to stay with this book long after I, my muse, and my main character, were done with it hurt me as a writer, and pissed my muse off. She left me for a bit, my muse. She left me to the harsh mercilessness of the blank screen, and no words. I’d never been so empty, not since I was twelve. It was one of the most horrible feelings. I had been disdainful of people with writer’s block. That it was a failure of confidence and that wasn’t really something I suffered from as a writer, but it’s more than that. The muse, whatever it is exactly, needs a certain amount of care and feeding, and trying to force feed this Merry book down it’s throat damn near made us both choke.
My muse wants to play with Anita, and the new story, and other ideas are coming, but only after I came to my senses and stopped treating my gift, my muse, my inspiration, like an assembly line where you can just put a book together because it’s time to do it. I’ve done it that way for twenty years. I have never, ever abandoned a book in place. Hell, I sold the first book I ever wrote, Nightseer. Most writers have trunks of unsold, and mostly unsalable books, but not me. I write it, I sell it, its what I do, but not this time. This time my muse let me know that I had to cut this shit out, or she was packing her bags and leaving, so . . . I cut this shit out. I listened to that mysterious part of me, and I am learning what feeds my muse, what inspires me, and what starves her, and what harms me as an artist.
Eventually I’m pretty sure you’ll get the next Merry book, but I don’t know when. You will get the next Anita book, because I’m writing it now, and you will get the brand new adventure because it’s alive in my head and I’m making more notes, and there will be other short stories, because my muse and I have reconciled like a feuding couple rediscovering that they love each other, after all.

Avengers, writing, Anne of Green Gables, and The Expendables for Mother’s Day!

Avengers for Mother’s Day!

Avengers totally rocked! An adventure movie where the action rocked, but so did the characterization, the dialogue, the humor and the poignant moments. Favorite bit of dialogue, “Puny, god.”
Loved what they did with Black Widow played by Scarlett Johansson. Her fight scenes were every bit as good as any of the others, and that meant they were amazing. I don’t know if they had a better fight coordinator, or if Ms. Johansson had hit the gym, or they had a better fight double, but whatever they did this Black Widow was everything she should have been and more. It was so much better than her first appearance in Iron Man 2.
Only thing I missed was a gratuitous shot of Chris Hemsworth shirtless. But as Jon pointed out, no one had a gratuitous flesh shot, which was nice, even wonderful, it was all about the story, but still . . . loved that one scene in Thor. *grin*
Just in case someone hasn’t seen it, I’ll avoid spoilers, but there are a lot of great moments in the Avengers. It is definitely one to see on the big screen.
Now watching The Expendables with Jon, Trinity, and Chica, my sister. We saw the previews for The Expendables II and Chica had never seen the first one, so we’re watching the first movie to prep for the second. Besides, it’s Mother’s Day and I love this movie.
Trinity got me the complete Anne of Green Gables movie set for her gift, and was so excited that she’d gotten me exactly what I asked for that she couldn’t wait for me to watch it, so we watched it yesterday.
This morning I woke early my muse loud in my head. I did pages before breakfast letting everyone else sleep in, then the planned breakfast was had for brunch. Chica fixed Cinnamon Apple French Toast, which is a Cooking Light recipe. It’s become one of my new favorite breakfasts.
The idea that I wrote on today wasn’t the Merry book. An idea hit a few days back, that’s actually probably been trying to break through for a few weeks. One sign of that is that the Merry book has been going slower and slower. Usually when I have what I call an interrupting idea, or a pushy idea, I know what idea it is, what characters, some clue, but not this time. So when I uncaged my muse I had no idea what we’d be working on. Why did I interrupt the Merry book, because I’ve learned that if an idea is pushy enough it will actually act like a creative log jam. It can bring all work to a grinding halt. It’s best to give the idea at least a day. The problem comes when the first day of pages is ten, or more, then I know I’m in trouble. That’s how I got the books Micah, and Flirt. One interrupted a Merry book, and the other actually pushed ahead in the cue of a different Anita book. The short piece, “Can he Bake a Cherry Pie,” did that when it was ready to be written, too. I’d had the idea on my sticky wall of ideas for a few years, but when the story was ready to write it jumped ahead in line. Some stories, and books, just demand your attention. Sometimes you can bull through it, but I find that it works best to work with your ideas and your muse, not against them. I now have two chapters and some of a third of a completely different book. We’ll see if it writes as fast as the other three pushy ideas did. I love it when the writing flows like the proverbial water from the cleft rock.
I gave myself a day about a month ago and in one day had thirty pages of a totally different book. I put it away and went back to the Merry book, because the thirty pages took the edge off and cleared the log jam. This idea, not yet. Whatever magic point needs to be written, I haven’t found it yet. I’m beginning to worry that they’re all book ideas. I’ve had two books fighting for first place in line before, and I managed it, but three? I’ve never tried to juggle three before. It would be hard to make progress towards deadlines if my attention was that divided.
I was going to do more pages after the movies, but I’m thinking early bed sounds really good. I think that four hours of sleep last night is catching up with me.
So a lovely Mother’s Day winding to a close here. I hope that all the mothers out there had a great day full of things that made them happy, I know I did.

Beauty – a preview

So many of you have asked, or said, you can’t wait until it comes out, so . . . Here’s a sneak peek at Beauty the too hot to handle outtake from Kiss the Dead which comes out as an eSpecial May 8, 2012:

“I finally let myself look at that face, and I felt like I had from almost the first moment I’d seen him, that he was simply one of the most beautiful men I’d ever seen. The black curls touched the edge of his face, as if bringing attention to the curve of his mouth, the line of his cheek, and those eyes. They always looked blue, but they were so dark. Midnight blue with their double edge of black eyelashes like dark lace to frame the deepest blue I’d ever seen in anyone’s eyes. His eyes were a blue like deep ocean water, where it runs cold and will eventually spill down into something warm and mysterious, where creatures the light has never seen live and thrive. Those gorgeous eyes looked at me, and there was love in them, but the second he saw me in the doorway, walking toward him, there was lust, desire, and just a heat that brought a blush to my face and an answering heat to my own eyes. Six years after we’d first started dating I was still a little amazed that this most lovely of men wanted me so badly. They talked about burning for each other, and we still did. I never seemed to get over the surprise of turning around and seeing him there. You’d think I’d get used to seeing such a beautiful man and knowing he was mine, but it never grew old, as if his beauty and the fact that he was mine, and I was his, would forever surprise me.”

Beauty, eSpecial, or the Sexy Outtake

Whenever I tweet, FaceBook, or blog, that I had to delete a perfectly good scene because it no longer worked with the plot of the current book, a lot of you ask to see the scene. You’ve even suggested that I share my Anita outtake file with you. Well, guess what, Beauty, the eSpecial that everyone’s been asking me about is an outtake from Kiss the Dead. It’s a sex scene that unfortunately had to be cut, because character decisions made it impossible as written. More unfortunately it was the scene between Jean-Claude and Anita. I really wanted them to have some up close and personal time in this next book, and it was a great scene, and . . . I still had to cut it.

But one day I was talking to my editor, Susan, on the phone, and I bemoaned the loss of the scene. She thought it was a fabulous scene, too, and regretted it’s loss. That was the point that she and I came up with the idea of doing the outtake as my first ever eSpecial. I thought great, and it’s already written, but like much in this whole e-experience that wasn’t quite correct. I had to write a new beginning for the scene, because it was taken out of the early middle of the book where the world, the characters, relationships, everything had already been explained, but suddenly the scene had to stand on it’s own without all the earlier pages. So, I did add a few paragraphs to introduce the world, Anita, and her relationship to Jean-Claude and Asher. Yep, try as I might in Kiss the Dead to give Jean-Claude and Anita their alone time, Asher was just not going to be left out. When things work well between the three of them it’s so worth it, when it doesn’t, well . . . it’s just a freaking disaster. So I did the extra bit up front so the scene would not be quite so naked to everyone who buys the eSpecial, and then it was done. Okay, except for the whole editing part when it came back from New York, but other than that it was done.

But one of the weird things about publishing of late is that e-books are still evolving in how they are handled, and before I’d ever seen Beauty back from New York, before I’d even signed the contract, and sent it back to them, I had people asking me about it on the internet. People were asking what Beauty was, and were thrilled it was coming out on April 24. Since my editor had told me that Beauty was scheduled for a month before Kiss the Dead came out on June 5, I was a little confused. I called her up and she double checked, and the actual date for Beauty is May 8, because the whole idea is that it comes out about a month ahead of the novel, that it’s an outtake for, so . . . No one at my publisher is sure where the first date of April 24 came from, but it is now corrected on line to its actual release date of May 8, so yay, for that!

So, Beauty is my first eSpecial. It’s the first outtake from any Anita Blake novel that I’ve allowed to be published. It’s a very hot, steamy, outtake with Jean-Claude, Anita, and Asher. It comes out May 8, as a sort of preview for Kiss the Dead which comes out June 5.

Links to preordering Beauty –

Amazon Kindle edition

Barnes & Noble nook edition

Sensuality and the Writer

I’m working on the edits for Kiss the Dead, my latest novel. It is also number twenty-one in the Anita Blake series. Once upon a time small decisions didn’t make me pause much, I’d make the change and move on, but now smaller things can give me pause. For instance, does Cynric the young weretiger from Vegas have straight hair, or a slight wave, that’s only straight if he puts it in a tight pony tail while it’s wet? It’s such a small thing, really, but it will forever dictate what Cynric’s hair is like. It’s like deciding whether my imaginary friend has straight hair, wavy hair, something in between. Since hair texture is damn near a kink with me, it’s more important than it might be, but more than that I now know that small decisions that are almost throwaway bits of detail can seriously come back and bite me on the ass, because unless the character is on stage a lot, which Cynric isn’t, I may forget what I decided about his hair. Main characters, I remember, and minor characters, are well, minor, but it’s the major-minor characters that are always the problem for me. I coined the term major-minor, or minor-major, for characters that aren’t major in every book, but when they are on stage they’re obviously more important than the minor characters sharing the screen. In fact, some of the major-minor characters will move to major characters without much notice to me, the writer. Jason Schulyer was one of those minor characters that just kept hanging around after his introduction in book four, The Lunatic Cafe, and just persisted in being more on stage than I had planned. I love Jason and he’s fun to write, and a fan favorite, so not a problem, and I guess I’ve never had a problem with remembering what he looked like, but there were fewer characters to keep track of in the early books. Now, at book twenty-one, there is a much bigger cast of characters. I find that I have particular trouble remembering characters individual characteristics if they were introduced with a bunch of other new imaginary people. Cynric was a very minor character introduced in a large group with other new characters that had a lot more on stage time. His hair was cut short when we met him, so that could mean it was straight, or that he’d cut it short enough that he’d taken all the wave out. Now, four books later I need to decide, because he’s let his hair grow out just enough that it would show, one way or the other.

I know that some writers make little note cards about hair, eyes, etc . . . and I keep meaning to do that, but I never quite do. I finally realized why I may not want to reduce my characters to notations in a list of “characters”. I don’t have a list of characteristics for my real, flesh and blood, friends. I remember what they look like because I see them, touch them, have dinner sitting across and look at their faces as we talk. I know the way they use their hands to talk, or how they cut their food, because I can see them in real life. My major characters are like that. You don’t forget the face of your best friend, just because you haven’t seen them in awhile, so it is with major characters for me. But minor-majors are like that person I see once a year at a convention, or a few times a year at group get togethers. But there the analogy falls apart, because I don’t forget these kinds of details about real people that I’ve sat across a table from, or met several times at some event. But imaginary people that I only see every once in awhile, they aren’t so concrete in my memory. Yet, I want them to be that real to me. I think I feel that if I could reduce them to a set of 3 by 5 cards, or a computer list, then somehow I’ve failed. I’ve failed to make them as real to me as they need to be. It sounds silly when I write it out like that, because they are imaginary. They are not real enough for me to sit across a table and have dinner with them and they never will be, they are figments of my imagination, bits of inspiration that walks and talks on paper for me, but they are not flesh and blood people.

But . . . if they aren’t real enough for me to know the texture of their hair, then how can they be real to you, the readers? If I can’t close my eyes and recall the way their skin feels under my fingertips, or how their hair slips through my hands, then how can I ask you to feel it? Height doesn’t bother me as much, because it’s not something I’m as aware of, which is probably why minor-major characters can grow, or shrink, by inches between books, but hair, eyes, skin tone, that is more important to me. Though height does become important if I’m writing a sex scene, but even there it’s where do they get their height from? Do they have long legs? A long torso? Depending on where they get those extra inches makes a lot of difference once they’re up close and personal with my main characters.

Its not that Cynric has straight, or wavy hair, it’s that the answer will change the texture of his hair. I am a very sensual writer, and incredibly visual and tactile in my orientation. Since we seem to be keeping Cynric around for awhile our odds of having Anita run her hands through his hair are pretty high since Anita reflects my interest in hair. Yes, I do have a thing for men with long hair, though I have been cured of wanting it long and longer, since I find that mid-back is doable, longer is harder to take care of, and anything past the waist is just a comedy of errors getting caught in car doors, and all sorts of inconvenient places. But I don’t want to just be able to say his hair is straight, or wavy, I want to know the texture of it if I touched it. I guess anyone that my main characters may have sex with are the ones that make me sweat the small details, because I need to do more than just see them. I need to see, touch, taste, know them in a way that goes beyond what a list of characteristics could give me. I want even the minor-major characters to be so real to me that if I close my eyes I know what it feels like to touch them, I want to know that kissing Jean-Claude tastes different than kissing Richard, and it’s not about what they’ve eaten. There is literally a taste to someone’s skin, and that spills over to their lips, their mouths if you break the boundary of their lips, and taste deeper; they taste different. It is a faint flavor, this taste of kisses, but subtle things are what good sex is all about, especially on paper, and though I may never try to describe this real taste difference, because it is just too subtle usually, I need to know it to do my job to the best of my ability. Sometimes when I write I’m all nerve endings and sensory input, other times logic and a cold distance pervades, but I need to be able to do both; one without the other would make me only half the writer I am.

First Bird of the Year

Birders have a tradition that the first bird they see on New Year’s day will be their bird for the year. It’s a sort of theme for the year. Some serious birders will travel to exotic locales to try and make sure their first bird of the year is something spectacular, or at least something that they’ll be proud to knock off their life list (the list of birds they’ve seen). It’s part bragging rights for the hardcore listers, birders that seem to live for marking checks off their life list of birds. I’ve been a birdwatcher since college, but I’m not a serious lister. I’m not actually a serious birder, truth be told, but the tradition of first bird of the year is something I’ve kept, because I’ve added it to our path of faith.
We’re Wiccan, a nature based religion so it seemed a natural to use the idea of the first bird, or animal, of the year you see being a theme for the year. When I say, animal, I don’t mean your dog, cat, etc . . . unless it’s the only animal you see for hours. If you manage to not see any birds at all when there should be birds everywhere, then maybe the animal in question is your theme for the year. Two years running I saw nothing but squirrels for hours. One of the meanings of squirrel is to balance work and play, and for me I’d been doing too much work and not enough play. I’ve since fixed that imbalance with a vow last year to play as hard as I work. I’m doing it again this year, with a plan to play even more! I ended up finishing the newest Anita book earlier than I have in years, and I ended more energized and in better spirits than ever before, rather than exhausted.
So, what was my first bird of the year? It was a yellow-bellied sapsucker. Yes, it’s a real bird, not just a punchline for cartoons, or movies. I’ve only seen one of these birds ever, and it was in our backyard in the summer. It’s not a common bird here in Missouri, or at least not that I’ve seen. I’m always willing to believe that someone else’s bird viewing may vary from mine. It was a female, because of the lack of red on it’s head and neck, but even female yellow-bellied sapsuckers have some red on them, this bird had none at all. I looked up pictures of the bird and found that the juveniles can look like the females, but without red, so I thought, well than that’s it, but it wasn’t. The longer I looked at the bird, the more it’s colors looked crisp, and not dull, like the juveniles. I did some research and found that some females can have no color on their heads, and that the color is due, in part, to the bird’s diet. Western Tanager males get their amazingly bright colors from their diet, too, as other birds, as well. Cedar Waxwings’ diet can change whether they have yellow, or red, tipped feathers. Sometimes if we don’t eat enough of what’s good for us, we lose some of the color in our lives.
The above explanation is because not only did I see a yellow-bellied sapsucker, but it had to be the same female, because she had the same markings, or lack thereof. I get on the Cornell site for birds, which is always my first stop on the internet, once I’ve used my bird guides to identify the bird. Peterson’s guide is still my favorite, but I also have the Audubon guide, as well. The Cornell site has interesting facts about the birds, and I find them helpful for possible insights into what the bird might mean. Though, I go to the Ted Andrews’ books Animal-Speak, and Animal-Wise first, but if it’s a bird that’s not in the books, or I just want more possible insights from the natural behavior of the bird.
So, what does it mean that yellow-bellied sapsucker was my first bird of the year? Ted Andrews talks about it meaning that you need to pay attention to the sweetness in your life, the hidden sweetness, since sapsuckers have to drill holes in trees to get to the sap. Though unsightly the holes aren’t supposed to be harmful to the tree. Deep holes, the bird uses it’s long tongue to reach the sweetness, but they also make rectangular holes near the surface of the tree where they just remove the first layers of bark so that sap fills the hole and they lap it up, and they also eat the cambium layer of the bark, and will come back and check the holes to eat insects that come to eat the sap and are trapped in it, sort of insects in amber, when they’re still fresh and yummy. They also drill holes in very orderly patterns. Other woodpeckers will drill here and there and are attracted to dead, or insect riddled trees. Woodpeckers don’t cause insects to attack trees, they actually will eat them out of the injured bark, and help keep the tree healthy for longer, but sapsuckers feed on living trees. Dead wood has no sap, so they need living, growing trees for their food.
What I’ve taken from the above is that I need to work for the sweetness in my life. Sometimes it’s just below the surface, and sometimes it’s deeper and harder to find, but it’s worth the work, and I need it to survive. I need the sweetness and joy in my life to thrive and be happy. I know that seems self-evident, but in years past I have lost sight of that. All work and no play meets some deadlines, but eventually it uses up the writer until the very well of creativity that you counted on dries up from lack of being refilled. You can’t just take water out of the creative well, you have to either put some in, or allow the well time to fill up on its own either through rain, or water seeping up from below. Like the sapsucker there are different ways for the creative imagination to fill up; either dig deep and get the sweetness near the center, or shallow and eat the living “bark”, sweet sap, and more protein (substantive) food will be attracted to the sweetness you’ve made in the tree. I’m taking that the more I work to bring creativity and the fun things into my life, near the surface of my life so its visible and not as hidden deep in the tree, the more food I will I have, and the better I will feel, do, be. Also, that there should be more than one way for me to get sweetness into my life and my work. I need to be flexible enough to do what works, deep round holes, or shallow rectangular ones, but I still have a pattern, a rhythm, an orderliness that works for writing, and for having fun in my life. Flexible orderliness is what I’m calling it. Years ago I would be too wedded to a schedule, and anything that disrupted it threw me horribly out of my writing schedule, but I’ve learned to be more flexible, in this last year, especially, I’ve learned to go with the flow of whatever wonderful, exciting, craziness is happening in my life. This year is going to be more of the same, I think, and that’s a good thing. Also, it is significant that sapsuckers feed on living, growing trees, unlike other woodpeckers. My sweetness and creativity come from things that grow, change, and are not static. I need to embrace that and not be afraid of the growth that will come in this next twelve months. Change used to really throw me, but I’m getting better at it, and this was a message that more is coming, but it’s all good.
Now, here’s the trick to all this animal message, or totem, guide stuff. You could have seen a yellow-bellied sapsucker and taken a completely different message from it. It’s all about what feels right for you, what your inner sense of rightness tells you. Some scholars over the centuries have called it our conscience, or even the voice of God telling us what is right, what is wrong. You have to be still enough, quiet enough in your head to listen, to truly listen. If you are too busy moving around, bustling, talking, lost in activity, the message can get garbled or lost all together. As a Wiccan I believe that the power and beauty of God and Goddess is all around us, that nature is that physical manifestation of Deity. We walk through the power of creation every day. We are surrounded by miracles, but most of us hurry past and never see them. It’s the old idea that there are angels walking amongst us, but you have to be open to the possibility that they exist and are present to have any chance of seeing them. The same goes for any message from Deity, you have to listen, you have to be aware that Deity really does talk to us, not in a flare of trumpets, or a angel in white robes and huge wings, that is possible, but God isn’t so flashy most of the time, I think. I didn’t need something that spectacular, just a little black and white bird, to be reminded that I need to work for sweetness in my life in the coming year, to be flexible in my orderliness and schedule, and that some creativity would come from deep inside, but some of it would be closer to the surface, and that it would have different shapes and sizes, but it was all about keeping it organized, though to others it may look like I’m just hitting my head against a tree.
I hope everyone had fun seeing their first bird, or animal, of the year, and that whatever comes our way we see the lessons we need to learn, do the work we need to do, and walk our path this year in the most positive and productive way possible.

Kiss the Dead Done; Writer Restless

I’ve been working on deadlines through December, or on tour, and working on a deadline, for the last ten years. This year I worked my ass off and finished the latest book, Kiss the Dead, the day before Winter Solstice. It took two weeks of working all day and into the night. 10PM was early, 1 to 2AM was more routine. I wrote ‘The End” at 4AM, and the book was done. I had Solstice, Christmas, and Yule, off for the first time in a decade. I was thrilled, my family was delighted. Jon, who had stayed in his office most of the nights I stayed up, in case I needed something, got to sleep in with me. I was beyond beat, and sleeping was a wonderful thing. It happened to coincide with Trinity, our daughter, being off school, so for the first time in years I was going to be able to take time off when she was off; yay!

The next day when I woke I was energized. I cleaned off two of my desks and begin to organize my office. There’s always debris from a book, and the office is trashed like a crime scene, if you substitute paper, and sticky notes, for blood and bodies. I felt great!

What I didn’t realize is that I’d spent the last decade training my family to be happy hermits. Trinity is playing on her new DS; Jon played WOW, World of Warcraft in his office; Chica, my sister of choice, went to see her birth family. I tried to get them all interested in going out and seeing a movie, but they’d had enough of people and out, they wanted hermit time and in. I’d asked Chica before she left, and she wanted to come home and just relax, so no one wanted to go out of the house to do anything. So, I was in a house of happy hermits, and I wanted to DO-SOMETHING!

I went to my office with the dogs, Sasquatch and Keiko with me. The dogs had gotten into the routine of being in the office constantly, so they loved it. Keiko is a rescue from a puppy mill, and this is her first Christmas in a house, so she thinks the world is all about being in my office with me into the wee hours. I meditated, and that helped. I texted some friends, and it helped some. I didn’t want to call, because I wanted to give people time with their families, but honestly talking was not what I wanted. I was beyond restless. I read in one of the many books that had been waiting for me to have the time to read, rather than just write. I drank tea, read, cuddled in the big leather chair in my office with the dogs; it was good. But I was still so restless I couldn’t stand it. If my gym had been open I’d have gone, but barring that I got on the treadmill for an hour. I have missed a lot of gym time due to the book deadline eating the world. The treadmill was good, very good, and took the edge off, then it was time to join Chica, Jon, and Trinity, for dinner, and conversation, oh, and presents. Trinity had been with her father over Christmas Eve and part of today, and we’d waited presents for her. Honestly, I had the major present that I’d wanted, the book done, and time off with my family while we were all off from school and work. I just hadn’t understood that going from a schedule like that to down time would be such an adjustment. It’s always an adjustment, but never this bad, and I hadn’t realized that everyone else would be wanting to be quiet and alone-ish, though I should have figured that. It was logical for them to want to de-stress from being out with so many people all the time. I’ve been in my office, alone for weeks, so out was what I needed. It was interesting and perfectly logical, but I so didn’t see it coming. Oh, no, Jon, hadn’t been out with too many people, he’s just naturally more solitary than I am by nature.

So tomorrow, I will make plans to do something, go somewhere, because things will be open. People can come with, or I can go by myself, but either way, I’ll be better prepared for this sense of restlessness that always comes in some form, just never quite this bad. I blame the gym, I think I’ve gotten used to moving my body when I’m restless. Sitting and reading alone, no longer refreshes me. Or maybe sitting and reading is just too close to sitting and writing, and I need something else over this short break.